Lisitsina Marina

Born Dec. 21, 1947 in Moscow.
In 1975 he graduated from Moscow Arts and Industrial College of. S.G. Ceramics.
Since 1975, worked as a painter at Lytkarino Optical Glass
.
. Collections where works
.
. Works are in the All-Russia museum of decorative and folk art,
. Ministry of Culture of Russia in Moscow
. Sergiev Pasadskom State Historical and Art Museum-Reserve
. Tyumen Art Museum,
. as well as in private collections
.

Participation in exhibitions and auctions

1976 Youth of Russia. Moscow;
1978 Autumn Exhibition. Artist's House at Kuz Neetzka bridge. Moscow;
1979 Blue Roads. Central Exhibition Hall "Manege". Moscow;
1979 Moscow and Muscovites. Moscow;
1980 Debut. Vserossiiskoe theatrical society stvo. Moscow;
1980 Monotekstil and glass. Artist's House at the Kuznetsk bridge. Moscow;
1983 Man and his world. Canada;
1988 Country Councils. Central House hudozhni ca. Moscow;
1988 Painters people. Central House of artist Nick. Moscow and East Germany;
1991 To the Stars. Central House of Artists. Moscow;
1991 Exhibition of Soviet artists glass. Voice Gallery. Stockholm. Sweden;
1992 1 st exhibition galleries "STANBET". Hall of Directorate of exhibitions and auctions of the International Cultural Foundation. Moscow.

Autobiographical notes

Viewer can not predict the association, this is one of the mysteries of optical glass. Its emotional impact is unpredictable ...
The thing is, though, just as exciting as it is laborious. Optical glass undergoes a cold-worked and sanded, and polished it must be manually. Thinking kind of composition, not always ensure aspire to, because the effects of optical glass exceptionally diverse.
. Commanding material, refracted and reflected into a space - for me it is akin to the dream of subjection to the elements, my work, my flight of Icarus ..
.

Criticism

Many of the works of M. Lisitsina have very specific names: "Planetarium", "Colosseum", but this does not mean illustrative images. It is rather a topic on which the artist imagines. Dreams and the viewer, peering into the depths of the faces of the glass mass, where the unreal is reduced to reflect the size of the point, then again and again repeated in numerous lenses.
. By not forcing the audience the uniqueness of content, offers independent search figurative associations
.

About. Voeikova
.
. Bibliography
.
. "Through the verge of glass", the newspaper Moskovsky Komsomolets, December 8, 1982;
. "The modern concept of space", Journal of Technical Aesthetics ", N11, 1982, p. 17;
. "By drawing space", "Building the newspaper, 18 March 1983;
. Magazine "Art" N3, 1983, p
. 76-78;
. "Playing with space," the newspaper Moscow News, 19 February 1984;
. "Optical sculpture - the palace of the Sun Zai Chica", newspaper "Commercial Gazette", N5, 1983, p.18;
. "Optical Glass", Journal of Decorative Arts ", N5, 1983, p.47;
. "The space of the sky, the purity of the stream", Journal of Agriculture Nechernozemie ", N5, 1984;
. The newspaper "Lenin's banner, 21 October 1985;
. "Artists are grateful," the newspaper "Moscow artist, 18 July 1986;
. "The flight of fantasy, as reflected in the glass", the newspaper Sovetskaya Kultura, 10 November 1990;
. Booklet Gallery STANBET, 1992, Moscow.