SIGUTIN Alexander

1959 born in Rostov-na-Donu
. 1987 Graduated from the Rostov Pedagogical Institute (art-graphic faculty)
.
. Collections where works
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. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. Christian Keesee Collection, Oklahoma City Art Museum, Oklahoma City, USA
. Kolodzey Art Foundation, Washington, USA
. Museo de Arte Contemporaneo, Caracas, Venezuela
. Firm 'Kraft', Moscow
. V. Ovcharenko, Moscow
. N. Brilling, Moscow
.
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS

. 1991 "demi-exhibition
. Gallery in Tryokhprudny Lane., Moscow
1992 "Exhibition of works of art". Gallery in Tryokhprudny Lane., Moscow
"Caution: colored!" Gallery in Tryokhprudny Lane., Moscow
1996 "On the Essence of Things". Baumanskaya, 13, Moscow
1998 "Irregular Curves". Guelman Gallery, Moscow

GROUP EXHIBITIONS

1988 "Exhibition of works by teachers and student teachers'. Manege, Moscow
1991 "Before and After". Youth Palace, Moscow
"In the Saturday night". The former Lenin Museum, Lviv
"Mother-to-space. Propeller Gallery. Profsoyuznaya 100, Moscow
"The form and content". Gallery in Tryokhprudny Lane., Moscow
1992 "Questions of Art. L Gallery, Moscow
"Calm". Gallery VHF, Kiev
"Clarification of relationship with weapons". Gallery in Tryokhprudny Lane., Moscow
"For the abstract". Gallery in Tryokhprudny Lane., Moscow
"We lived in these years" (together with A. Ter-Oganyanom). Gallery in Tryokhprudny Lane., Moscow
Humanitarian assistance. Gallery in Tryokhprudny Lane., Moscow
"Left foot". Gallery in Tryokhprudny Lane., Moscow
"Interior". Gallery in Tryokhprudny Lane., Moscow
"Still leven". Velta Gallery, Moscow
"Landscape". Gallery "A 3", Moscow
Moskovsky Romanticism ". Central House of Artists, Moscow
"Futurists Exposure Kuznetsk" (action). Kuznetsk bridge, Moscow
1993 "The second project for the exhibition" We lived in these years "(together with Ter-Oganyanom). Gallery in Tryokhprudny Lane., Moscow
"Modest disciples of the great masters". Gallery in Tryokhprudny Lane., Moscow
"Exchange / Exchange". Moscow
1993 "Shop". Shop "Constantine". Olympic Complex, Moscow
"Conversion". Guelman Gallery. Central House of Artists, Moscow
6th Asian Art Biennale. Dhaka, Bangladesh
1994 "Fluchtpunkt Moskau". Ludwig Forum, Aachen, Germany
"Moscow Artists: a new look". Artist's House at Kuznetsky Most, Moscow
"May Exhibition." Kuznetsk Bridge, 20, Moscow
"Art belongs to the people". Contemporary Art Center, Moscow
"Exchange II / Datsja" (Sharing II / Cottage). Almere, Flevopolder, Netherlands
1994 "Fine - mon amour". Contemporary Art Center, Moscow
1995 "Kunst im verborgenen. Nonkonformisten Russland 1957-1995 ". Collection of Contemporary Art Museum Tsaritsino ". Wilhelm-Hack Museum, Ludwigshafen am Rhein; Documenta-Halle, Kassel; Staatliches Lindenau Museum, Altenburg, Germany
"New Russian Art: Paintings from the Christian Keesee Collection". City Art Center, Oklahoma City, USA
"Fine - mon amour". Copenhagen Contemporary Art Center "Nikolaj". Copenhagen, Denmark
"Art belongs to people" (co-curator, participant). CSR. The shop windows, Moscow
"On the house". Profsoyuznaya 100, Moscow
"Animation". Collection of Contemporary Art Museum Tsaritsino ".
Kashirka, Moscow
"Werkstatt Moskau. Einblicke ". Akademie der Kunste, Galerie im Marstall, Berlin, Germany
1996 "Tables". Moscow Arts Center WWW "Ten Commandments". Bolshaya Sadovaya, 3, Moscow
"Artoteka". Central House of Artists, Moscow
1997 "Reflection Time". House of Peoples' Friendship, Moscow Third Biennale of Contemporary Art. Cetinje, Montenegro

Curatorial projects

1992 "Hierarchy in art". Gallery in Tryokhprudny Lane., Moscow
"The Artist and the Book". Peresvetov Lane., Moscow
. Criticism
.
. Against the background of the Moscow Art, . which is the sum of the individual "histories", . position of Alexander Sigutina distinguishes declarative "health", . commitment to the norm, . Canon, . Samples, . Master Standard, . in itself contrary to the traditional definition of the artist as being a normal -, . "border-crossers.,

. In the series "Comparative abstract," he, . unashamedly banality of associations, . usually concealed brought up art connoisseurs, . may, . example, . likened mondrianovskie geometrizmy child colored cubes, . that make up the horses, . airplanes, etc.,
. In its own way by treating the modernist mythology of children's drawings as a kind of "reserve" of pure creative energy, he sings "manuals" exemplary creative work in order to show them in kindergartens and nurseries. Or check the skills of their colleagues with the help of children's books, coloring (it should be noted that few of them managed to exercise due diligence and accuracy).

. The obvious irony of this search model for "proper art", . which would be clear, . as sea charter (and Alexander, . before you become an artist, . was a sailor), . laws and accessible criteria for "good" and "bad" (like a ruler and scales, . measuring the creative growth and social weight of its shares "Hierarchy in the art" for opreleniya reference artist and critic), . intentional buffoonery conceals the seriousness aspirations Sigutina, . thus mitigating hopelessly utopian ideal location,
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