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Nastassja Kinski (Kinski Nastassia).

( Actress)

Comments for Nastassja Kinski (Kinski Nastassia).
Biography Nastassja Kinski (Kinski Nastassia).
photo Nastassja Kinski (Kinski Nastassia).
Real name: Nakstsinska. Born 24.1.1961 in Berlin in the family of the famous German actor Klaus Kinski. Sister Paula - also an actress.
14-year-old girl was 'open' in the Munich disco film director Wim Wenders, who was looking for a singer for the role of Mignon in the film 'Wrong Move'. Angular Megamouth, with burning black eyes, Nastia was a film without saying a word. But this is what gave way Mignon mystery and exoticism. Since the proposals were withdrawn taps. 'Bride of Satan' (1976), . 'Passionate flowers' (1977), . 'Stay itself' (1978) - all these pictures, . exploiting the childish charm of actress, . been based on a very slippery subjects and teetered on the brink between ambiguity and outright obscenity,
. Hard to say, as if formed fate Kinski, if the director Roman Polanski did not see 'Voge' series of photographs. He was going to film a novel T. Hardy's "Tess of the genus d'Erbervilley 'and searching for a singer role of the heroine. Nastia was urgently summoned to America. She started intensely he studied English, visited the famous Actors Studio. Then the group moved to the Norman countryside, and Anastasia took up the study of village life. This helped to convincingly demonstrate the on-screen drama of a young maid, devoted dishonor for the birth of an illegitimate child, forced into marriage for the opposite her peasant and yet in the final tape accepting a rematch for his many years of suffering.
'Tess' (1978) was nominated for
six 'Oscars'. Nobody famous German actress became the focus of public attention. The American press wrote about it in those years with the enthusiastic aspiration, not forgetting to mention the famous Ingrid Bergman. And although the apparent similarity of the portrait does not exist, . thought, . that in the guise of a young German woman embodied features, . once typical Swedish star, . - Naturalness, spontaneity, . freshness, . innocence, . vulnerability, . word, . charm girl, . not yet fully aware of itself a measure of a woman,
.
After 'Tess' Kinski co-starred in three Hollywood tape - 'With all my heart' (1982), 'Cat People' (1982), 'Left to' (1983). Especially popular in America enjoyed an erotic horror film 'Cat People' P. Schroeder tells the story of the family, whose members during the congress turned into panthers. Technically, this process of transformation was the most difficult in the film, but Nastia refused understudy and did it herself.
In 1983, she was struck by his countrymen increased Acting, playing the role of wife P. Schumann - pianist Clara Wieck in the film 'Spring Symphony'. However, in Germany it is not stopped and hurried back to America. Particularly successful was for her in 1984, when the screens went three films with her participation: "Hotel New Hampshire ',' Paris, Texas', 'Maria's Lovers'. Curiously, all three films were supplied by Europeans, who worked at that time in Hollywood. Especially memorable were 'Lovers of Mary' A. Konchalovsky (based on a story A. Plato va 'River Potudan'). The history of women, to remain a virgin when the young husband, was portrayed with unusual shrill and quivering. A big, shy girl with long arms and a big mouth, she waits in vain, when her husband will show her favor, and he disappears from the city. And Mary gives himself the first comer, bribed her playing the guitar ...
Complex relations within the couple has devoted his film 'Paris, Texas "and Wim Wenders, but gave them a very different interpretation. In contrast to the gentle, meek Mary Jane, the heroine of "Paris, Texas', represents one wild impulse to freedom from the bonds of family and marriage, which was peculiar to many Americans in the early 80-ies. Jane is not going to cry and grieve. She just runs away from home, leaving its fate infant son. For the first time in a creative manner Kinski manifested traits of cruelty and intransigence, showing that it can play different roles.
Two producer had a determining influence on the formation of Nastia Kinski as a creative person - Roman Polanski, who presented it to the world as a serious actress, and Andrew Konchalov-sky, reminding us of its Slavic roots. In 1990, Nastia Russian starred in the film 'The Insulted and Injured' A. Eshpai. She played the role of Natasha with such insight into this tragic way, that it would be difficult to imagine in its place another actress. A little earlier, in 1989 in Italy was carried out screening Turgenev's novels 'Spring Water'. Kinski made in a somewhat unusual for her Role - fatal women, creating an image of freedom-loving, sparkling humor beauties of Mary, fascinating men with the skill of an experienced trainer.
In recent years, the creative activity Nastia has increasingly shifted towards Europe. Perhaps one reason - the emergence of an American film actress, amazingly similar to Kinski its spontaneity and charm of living - Julia Roberts, leaving fewer and fewer roles of its predecessor. Since in 1981, all journals spared picture of Richard Avedon, depicting a naked Nastya with the snake, the audience's attention continues to this charming and seductive woman. Especially many tales told about her when she wore her son Alyosha. In the magazines even published a list of eight people - candidates for the role of father. However, in late 1984 Anastasia married a man whose name had not previously mentioned - the Egyptian producer Ibrahim Moussa. Gossip stopped. In 1986 their daughter was born Sonia. The marriage ended in scandal in 1992, when Musa's wife accused of adultery with a famous rock musician.





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Nastassja Kinski (Kinski Nastassia)., photo, biography
Nastassja Kinski (Kinski Nastassia)., photo, biography Nastassja Kinski (Kinski Nastassia).  Actress, photo, biography
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