BEAR Emmanuel( Actress)
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Biography BEAR Emmanuel
BEAR (Beart) Emmanuel (p. 14. 08. 1963), French actress.
It may be called a muse or an angel of modern French cinema. Since the advent of the classic role of Manon in a new film adaptation by Claude Berri 'Manon with the sources' (Manon Des Sources) Marcel Panolya in 1986, the actress was identified by many with the notion of 'innocent creation', . angelic beings, . focus of naturalness and modesty (the prize 'Cesar' for the role vtoroplanovuyu),
. Although the next work young actress for someone to have been disappointing - it confused and kept screaming heroine of the comedy 'left of the elevator' (A Gauche En Sortant De L'ascenseur, . 1988) Edouard Molinaro, . which is always a bad egg as a hero in the performance of comedian Pierre Richard vain suspicion of adultery, . was like the embodiment of all the absurd and hysterical reactions of women,
. And in the film 'I do not tseluyus' (J'embrasse Pas, 1991) AndrцL TцLchinцL role repainted, prostitutes Ingrid with thick make-up generally can produce a feeling of revulsion.
. But parallel Bear filmed in one of the most sophisticated and philosophically lofty pictures of the mystery of art, . but also, . certainly, . risked, . because most of the 'argumentative Beautiful' (La Belle Noiseuse) Jacques Riveta remained absolutely naked,
. The actress starred as Marianne, . became of models for the famous artist, . which is sixty, . and he spent ten years not engaged in painting after, . How to quit his unrealized idea, . associated with its previous model, . both wife,
. And the new jealous of models to other people's man and his talent, her lover, also an artist, who is afraid of losing his beloved and physically, and - increasingly - spiritually. In deliberately obytovlennom paraphrase is roughly the same melodramatic, adulterous version of 'love triangle', as in 'French Women' (Une femme francaise, 1995) Regis Wargnier. However, this director, according to his taste to the socio-historical melodrama, puts the private family history in the context of the important events of 20 century - World War II, Berlin, the Allies divided into zones, local wars in Indochina and Algeria. But we can not accept his vision about the fact that only the Bear can bring both the missing film 'angelic glow' capriciousness muse, seduces and fascinates, like life itself - a tireless creator.
. Aesthetic and the existential conflict between art and reality, . life and death, . artist and model, . which can not be resolved once and for all and the more cracked, . compared with the 'Beautiful argumentative' simply translated into 'French women' in a more understandable, . household level,
. However, Jeanne Bear in a magnificent performance (the only well-deserved prize at the IFF in Moscow-95) - not the usual unfaithful wife, . even from 'modern morality' by Claude Chabrol (a, . incidentally, . immediately before the shooting near Varna actress appeared in the 'Age' (L'enfer, . 1994) Chabrol, . and certainly not a whore,
. She - a woman, stricken with love and dying, among other things, from love. A certain unfathomable vital force that opposes men's lust for murder and war, and instinctively neosoznavaemo realizes the hidden will of life itself. By the way, . even possible gossip about personal relationships Emmanuelle Beart with his longtime partner, Daniel Oteem (they met in 1984 on the set of tapes on the remarkable name 'secret love' (L'amour en douce), . long lived together, . not registering even after birth, . played in 1992, frustrated amorous couple in the 'Heart of Winter' (Un Coeur En Hiver), . then parted), . too, . strangely, . help better understand the generated actress in 'French Women' image,
. Probably better for a man to treat a woman as to an unreachable ideal.
. In the 'Heart of Winter' young Camille, a talented violinist, fascinating for his execution of works by Debussy, is not only a dear creature, an amazing woman, giving birth to the love in the hearts of men, but the angel of inspiration and a symbol of life, the ideal of beauty
. Amazed that such a 'genius, pure beauty' could stoop to love to earthly men and even be rejected, just in case one of them. Bear continued to work with director Claude saute, then played as innocently provocative role girls Nelly, disturb the peace is already middle-aged publisher of Mr. Arnault, in a touching film 'Nelly and Monsieur Arnaud' (Nelly et Mr. Arnaud, 1996). At the same time a French actress was invited to participate in the American blockbuster 'Mission Impossible' (Mission: Impossible), although for many Europeans, the presence Bear in the espionage-adventure stories seem at best arbitrary.
. Sergey Kudryavtsev
. 1976 DEMAIN LES MOMES Executive
. 1983 FIRST DESIRE / FIRST DESIRES Executive
. Love the sly 1984 L'amour en douce Executive
. 1984 Country PASSION / UNA STRANA PASSIONE Executive
. 1986 MANON From SOURCES / MANON DES SOURCES Executive
. 1987 Rendezvous with ANGEL / DATE WITH AN ANGEL singer
. 1988 left from the elevator / A GAUCHE EN SORTANT DE L'ASCENSEUR Executive
. 1989 CHILDREN STRIFE / Artist
. 1990 Voyage of Captain Fracassi / Artist
. 1991 I DO NOT TSELUYUS / J'EMBRASSE PAS Executive
. 1991 BEAUTIFUL argumentative / LA BELLE NOISEUSE Executive
. 1992 against forgetting / CONTRE L'OUBLI Executive
. HEART OF THE WINTER 1992 / UN COEUR EN HIVER Artist
. 1994 AD / L'ENFER Executive
. 1995 French Women / UNE FEMME FRANCAISE Executive
. 1996 MISSION IMPOSSIBLE / MISSION: IMPOSSIBLE Executive
. Nelly and Monsieur Arnaud Nelly et Mr
. Arnaud 1996