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Basyrov Garif Sharipovich

( Artist)

Comments for Basyrov Garif Sharipovich
Biography Basyrov Garif Sharipovich
1944 born in Stalin's camps N 26 (ALGERIA) Akmola region, Kazakhstan
. 1963 Graduated from the Moscow Secondary Art School
. 1968 he graduated from the All-Union State Institute of Cinematography
. (Art Department) since 1975 Member of the USSR Union of Artists
. since 1990 member of the International Federation of Artists (IFA).
. Collections where works
.
. The State Tretyakov Gallery, Moscow
. State Museum of Fine Arts
. Pushkin, Moscow
. The State Museum of Oriental Art, Moscow
. Ministry of Culture of Russia, Moscow
. Foundation of Culture of Russia, Moscow
. Moscow Union of Artists, Moscow
. Gallery M `ARS, Moscow
. Gallery "Moscow Palette", Moscow
. Gallery Krimsky Val, Moscow
. Gallery "A 3", Moscow
. Gallery Manege, Moscow
. Yaroslavl Art Museum, Yaroslavl
. Far Eastern Art Museum, Khabarovsk
. The State Russian Museum, St. Petersburg
. Ekaterinburg Museum of Fine Arts, Ekaterinburg
. Kaliningrad Art Gallery, Kaliningrad (KцTnigsberg)
. The European Illustration Collection Hull Gallery, Hull, Great Britain Ost-West Gallery, Zurich, Switzerland
. Galerie Enrico Navarra, Paris, France
. Kunstraum, Stuttgart, Germany
. KPMG, Stuttgart, Germany
. Museums comic art: Basel, Switzerland, Tokyo, Japan, Istanbul, Turkey; Tolentino, Forte dei Marmi, Italy Skopje, Macedonia; Gabrovo, Bulgaria, Warsaw, Poland; Seoul, South Korea, Knokke-Heist, Belgium, etc.
.
Private collections in USA, Switzerland, France, Germany, Austria, Britain, Italy, Israel, Denmark, Poland, Bulgaria


Participation in exhibitions and auctions

SOLO EXHIBITIONS
1982 One-day exhibition. Artist's House at Kuznetsky Most, Moscow
1989-90 Ost-West Gallery, Zurich, Switzerland
1990 Galerie der Bayerischen Landesbank, Munich, Germany
1991 SAK House, Svendborg, Denmark
1992 Retrospective exhibition. Central House of Artists, Moscow
1993 "One hundred works from the new series" Negligible ". State Tretyakov Gallery, Moscow
1994 "Apocrypha". Gallery Krimsky val. State Museum of Oriental Arts, Moscow
1995 "The seven versions and the wall of opposition". Gallery "A 3", Moscow
1995 "Inkubusy". Gallery Manege, Moscow
1996 "VagonArt". Gallery A-3 ", Moscow
1996 "Negligible, 1991-95". Central House of Artists, Moscow
1996 "mail art". Gallery "Cinema", Moscow
1996 "Works 1976-91gg.". Kunsthalle, Osnabruck, Germany
1997 "Inkubusy - 2" gallery "Obscuri Viri". ROSIZO, Moscow
1998 "The illustrations and drawings. 1970-80 years. Russia Cultural Center. Vienna
1999 works 80-ies. Central House of Artists. Moscow
1999 Miniatures. Gallery Moscow meeting ". Moscow
2000 Mail & Art. Gallery "Manege". Moscow.

GROUP EXHIBITIONS

1970 "on the stand" Youth "(with I. Bolshakov, E. Strulevym). Moscow
1981 The Yomiury International Cartoon Contest. Tokyo, Japan (golden prize and gold medal)
1982 The International Cartoon Contest. Pescara, Italy (Award "Sail") Salone internazionale dell'UMORISMO. Bordighera, Italy (prize "Prezidenza Camera Deputati")
1982-83 "European Illustration". London, Paris, New York
1983 with L. Berlin, K. Sapegin, D. Schr. Street. Vavilova 26, Moscow
1983 International Biennial of Humor and Satire in Art. Gabrovo, Bulgaria (2 nd prize)
1983 The International Cartoon Contest. Tolentino, Italy (3rd Prize C. Marcorelli) Salone internazionale dell'UMORISMO. Bordighera, Italy (prize "Dattero d'Argento)
1984 The International Exhibition of Satire and Humour "Trento fra realta e follia". Studio d'Andromeda, Trento, Italy (Prize for the most significant work) XI Biennale of Graphic Designe. Brno, Czechoslovakia
1984-85 "European Illustration". London, Paris, New York
1985 Salone internazionale dell'UMORISMO. Bordighera, Italy (prize "Martini & Rossi")
1985 International Biennial of Humor and Satire in Art. Gabrovo, Bulgaria (2 nd prize)
1987 "Retrospective of Moscow Artists. 1957-1987 ". l of the "Hermitage", Profsoyuznaya st., q. 100, Moscow
1987 Exhibition of 6 artists. M., 28, Moscow
1987 "The Artist and Modernity". First Creative Association of Moscow Artists. Kashirka, Moscow
1987 XIX World Cartoon Gallery ( "OSTEN"). Skopje, Yugoslavia (special prize) 27th International Cartoon Festival. Knokke-Heist, Belgium (1 st prize "Golden Hoed")
1988 The International Festival of Fine Arts. Baghdad, Iraq (silver medal)
1988 2 nd Exhibition of the First Creative Association of MOSH. Artist's House at Kuznetsky Most, Moscow
1988 "Drawings of Moscow artists: Urbi et Orbi". Central House of Artists, Moscow
1988 International Cartoon Festival. Central Java, Semarang, Indonesia
1988 International vystvka "Ozon-88". Agency-Sofia Press, Sofia, Bulgaria (1 st prize)
1989 "Nuova Realta". Pinacoteca Communale Loggetta Lombardesca, Ravenna, Italy
1989 "Eros. Spirito & Pelle ". Carrara, Italy
1990 XI Concorso nazionale per di Fumetti. Prato, Italy
1990 "Intergrafika-90". International Triennale. Berlin, Germany
1990 Melbourne Comedy Festival. Melbourne, Australia (Special commendation)
1990-91 "European Illustration". London, Paris, New York
1991 International Cartoon Contest. Seoul, Korea (bronze prize)
1993 "ART MIF 3". Gallery "Moscow Palette", Sotheby's. Manege, Moscow
1994 "Russian Collection. End of the Twentieth Century ". Gallery M'ARS, Moscow
1994 "Gathering Space". State Oriental Museum, Moscow
1995 "charity auction to benefit the Burn Center at Children's Hospital, N9.
1995 Modern Russian Paintings and Graphics. Sotheby's, "ART MIF. Hotel Metropol, Moscow
1996 35 International Cartoonfestival. Knokke-Heist, Belgium
1996 "Kaliningrad - Koenigsberg. Third International Biennial of Easel Graphic. Kaliningrad Art Gallery, Kaliningrad
1996 ARCO-96 International Art Fair. Madrid, Spain
1996 InterArt Fair Sollentuna. Stockholm, Sweden
"Artoteka, NCCA. Central House of Artists, Moscow
1996 International art fair ART-MOSCOW. Central House of Artists, Moscow
1996 "5 Moskauer Kunsler und Grafiker". Osnabruck, Germany
1996 "Russian Collection - 2. End of 20 century ". Gallery M'ARS, Moscow
1997 "Harmony of Contrasts. Russian art of the second half of the 20 th Century "(exhibition-auction), Association of Magnum Ars, PAX, TG. Russia Academy of Fine Arts, Moscow
1997 "The Artist and the press". Central House of Artists, Moscow
1997 "Moscow images". Gallery A-3 ", Moscow
1997 "Golden Egg". The Exhibition of the journal Chemistry and Life 1965-until 1997. Central House of Artists, Moscow
1997 "The world of sensible things in the pictures - the end of XX Century", Gallery M `ARS. Pushkin Museum of. Pushkin, Moscow (catalog)
1997 International Art Fair "Art Manege". Manege, Moscow (catalog)

Autobiographical notes

... In my previous works (a series of "Inhabited Landscapes", . Cosmos, . "People with the goods", . "Narcissus", . "Wind", . "Sleepers" and others) criticism is a lot of interesting things: "a philosophical view", . "social problems", . "lonely man", . "The irony and the grotesque", . "atmosphere of Soviet life", . "fantastic realism" and even the existence of some "secret".,
. I hope that in the new series "not material" they will not find anything like this
. Yes, and that can be found in these scraps of paper, children and old doodle kvitantsiyahN nostalgia and admiration corruptible traces of someone's past life there is certainly no.
. Maybe, . is an attempt to comer with his arm all the litter away from the above-mentioned significant and do, . that should be of interest to the artist: the plane sheet, . Arrangement, . rhythm, . color, . relationships of various structures and spots, and their contrast and harmony.,
. That is probably true, the eternal theme of art
. And "Secret" too. It would be nice just to do it without bias, following the intuition, and not someone else's designs.
By the way, about the samples: they say that the ancient poets and artists dzenbuddisty, reaching heights of his career, after forty years, changed the name and start from scratch ..

. ... About six months ago I noticed, . that of my, . say so, . Non-figurative experiments (series "Negligible") itself, . regardless of the author, . began to emerge that something resembling an unknown alphabet unknown language, . like, . perhaps, . the Far Eastern characters,
. Being absolutely sure that this script does not exist, I called this unsolicited emerged a series of "Apocrypha", that is, something is not canonical and even "sacred"

. In publishing its latest booklet and trying to somehow improve its quality, . I visited the printing, . where I discovered a huge number of marriage, . samples and all kinds of printing waste, . in which my unfortunate work prepared and ranged from the stunning and daring impudence,
. And these "variations" or "version" seemed so expressive and original, that I decided to match the desired exposure in one of seven originals and seven printing "versions" of each of them. Seven posters show "development" theme of one of the printing

. In another section of the exhibition "The walls of the opposition" also presents new work, . theme of which have been all sorts of slogans and inscriptions on the walls of houses, . Garages, . fences and control, . ie brushing, . veiled, . erasing and flushing, . that all together creates a unique abstract compositions,
.
"INKUBUSY-2"
Many know, but not many have seen as a tectonic force, or time itself immersed in the abyss of continents, civilizations, cities and smaller objects, say, the same witness.
Sometimes after a day or thousands of the disappeared reappear from tainsvenyyh depths and brought before the eyes of other witnesses have already - we are in you.
And what do we see in this sluchaeN Unknown gadget, causing the memory vaguely unfamiliar words: ziggurat-ortostat-cenotaph-Apadana-mestaba-SPLA-necropolis .....
To say that any more clear about the newfound not possible. It seems that all this was also found unknown archaeological expedition, place and time of the excavation could not be established, as, indeed, to attribute themselves finds.
With uverennstyu can say only one thing - all things together by some common spirit unfriendly insularity, some similarities elusive and exasperating obscurity of his destination and origin.
One could assume that already had seen earlier "Inkubusy" will help shed light on the mystery of those obscure PRA (or postN) images.
Criticism

Graphic and picturesque characters G. Basyrova perfectly recognizable and could easily become a "hallmark" of the artist. During the restructuring, they - featureless, massive, floating in the air, or conversely, buried in the debris - were duplicated many times in magazines, newspapers, on posters as "victims and the generation of totalitarianism," or, in the language of the artist - "objects". (It birthplace G. Basyrova - gulag labor camp N26 Akmola region in Kazakhstan - talked about much). But the artist is not for nothing that the pulse of time, catching his underlying changes. In the early nineties Basyrov drastically change its style, moving away from figurative painting to abstract works. So they make a series of "material", exhibited in the Tretyakov Gallery. That the Museum of Oriental Art Basyrov exposes "characters" - signs of their own, basyrovskogo letters ...
The current exhibition continues to "surprise" Basyrova. Outraged visitors vernissage not seen any pictures or at least "something" hanging on the walls. The exhibition consists of five large open boxes, which are exposed wood, metal, and in general it is not clear what figures made seemingly of all that came across his arm. But if you scrutinize, . we can easily and enthusiastically recognize in them something long familiar, . ancient, . primitive, . of Sumer, . Ancient Egypt, . Ancient Archaic, . Africa, . ancient cultures of America and even the, . that the artist described as "the archaeological traces of the future of civilizations",
. This is the eternal symbol of ourselves, or seen, or excavated from somewhere inside Basyrova.
. Inkubusy, translated from Latin, it is the guardians of treasures (literally: "lying on the Treasure") and they are the same - the nightmares, the famous incubi, are the sinners, and procuring their
. That figure - whether the pupa, or idols - of the collective unconscious, which lies at the basis of the human psyche and culture in general. In daylight, rational mind this does not make out. Inkubusy something they want to tell us his silence. Indeed the world has changed, if they suddenly become visible gazed at them the artist. Well, we are left to peer into what makes the artist, through this learning about themselves ...

Herbey. "Unexpected Basyrov". - Total Newspaper, 1995, October 26 - November 1


Bibliography

G. Anisimov, "On the dictates of the soul", the magazine "Youth", N11, 1970;
G. Anisimov, "The Secret, inspired by the world," the newspaper "Moscow artist, 7 January 1983, Moscow;
And. Shavarkova "Inhabitants of the inhabited landscape", newspaper "Moscow artist, 25 July 1985, Moscow;
I. Klutschewskaja "Garif Scharipowitsch Bassyrow", Journal "Bildende Kunst", N2, 1986, Berlin (it. lang.)
In. Meyland "Garif Basyrov" Collection "Illustration", 1988, Moscow;
G. Elshevskaya "Who looks at the sky", Journal of Creativity ", N1, 1988;
M. Sokolov "Inhabited Landscapes", journal Ogonyok ", N20, 1989;
H. Filippovskiy "Emblems Transformations", Journal of Arollo ", N1, 1990, United Kingdom (in English. lang.)
H. Nazarevskaya "Earthling by profession", Journal of Literary Review ", N10, 1990;
The book "New album charts, ed. "The Soviet hudozhnnik, 1991, Moscow;
Catalog solo exhibition in Central House of Artists. February - March 1992, Moscow;
H. Orlova "Artist Basyrov sells stacks of schedule," the newspaper "Kommersant", N6 (106), 3-10 February, 1992, Moscow;
The magazine "Capital", N11 (69), 1992, Topic Diary I ";
V. Meyland "air time", the magazine "Our Heritage", N2, 1993, Moscow, p.. 116-121 (in English. lang.).
As well as numerous exhibition catalogs, pamphlets, interviews on radio and television in Russia, the United States, Britain, Italy and Denmark.


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