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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

BRODSKY Alexander Savich

( Artist)

Comments for BRODSKY Alexander Savich
Biography BRODSKY Alexander Savich
1955 born in Moscow
. 1968-69 studied at MSHSH
. 1978 graduated from Moscow Institute of Architecture (Faculty of residential and public buildings)
. member of the Union of Artists
. member of the Union of Architects
. 1973-93 worked with I. Utkin
. 1995 Professor of International Academy of Architecture
.
. Collections where works
.
. Museum of Modern Art, New York, USA
. Deutsches Architekturmuseum, Frankfurt, Germany
. Museum of Fine Arts
. Pushkin, Moscow
. Duke University Museum of Art, Durham, USA
. Nancy and Norton Dodge collection, Zimmerly Art Museum, Rutgers University, New Brunswick, New Jersey, USA
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS
. 1995 "Utopian sewerage"
. Regina Gallery, Moscow
1996 "Canal Street Subway Project". New York, USA
1996 "Visible Parts". Ronald Feldman Gallery, New York, USA
1997 "Futurofobia". Gallery M. Gelman, Moscow
1997 "Points of outcome". Museum of Architecture. Schuseva, Moscow

SOLO EXHIBITIONS (with and. Utkin)

1989 "Alexander Brodsky and Ilya Utkin". University Art Gallery, San-Diego State University, San Diego, USA
1990 "Alexander Brodsky and Ilya Utkin". Linda Farris Gallery, Seattle, Washington, USA
1990 "Brodsky & Utkin". Ronald Feldman Fine Arts, New York, USA
1991 "Brodsky and Utkin: Etchings". The Lab, San Francisco, USA
1991 "Tacoma Walkway Etchings and Drawings". Tacoma Art Museum, Tacoma, USA
1991 "Brodsky and Utkin: Paper Architects". Pittsburgh Center for the Arts, Pittsburgh, USA
1992 "Palazzo Nero". Wellington City Art Gallery, Wellington, New Zealand
1993 "Brodsky and Utkin". Bayly Art Museum, University of Virginia, Sharlottesvil, USA
1993 "Brodsky and Utkin". Portland Art Museum, Portland, USA

GROUP SHOWS (with and. Utkin)

1986 XVII Exhibition of Young Artists. Artist's House at Kuznetsky Most, Moscow
1986 "Paper Architecture". SKUC Gallery, Ljubljana, Yugoslavia 1987 XVIII Exhibition of Young Artists. Manege, Moscow
1988 "Architecture de Papier d'URSS". La Grande Halle de La Villette, Paris, France
1988 "Soviet Architecture: 1917-1988". Museum of Finnish Architecture, Helsinki, Finland
1988 "The City of the World and the Future of the Metropolis". 17th Trienalle. Milan, Italy 1988 "Inventor '89". Paris, France
1988 "Present Tensions: 25 Years of Irreverence in Architecture". The Clocktower, New York, USA
1988 "Nostalgia of Culture". Architectural Association, London, United Kingdom
1989 "Exhibition Diomede". The Clocktower, New York, USA 1989 "Festival of Soviet Arts". La Jolla Museum of Contemporary Art, La Iolla, California, USA
1989 "Architecture and Imagination". De Tien van Fort Asperen, Leerdam, Netherlands
1989 "Concepts in Soviet Architecture: 1917-1988". Berlin, Germany
1989 "Paper Architecture". Antwerp, Belgium
1989 "East Meets West in Design". Jacob K. Javits Convention Center, New York, USA
1989 "Paper Architecture: New Projects from the Soviet Union". Deutsches Architekturmuseum, Frankfurt, Germany
1990 "Paper Architecture: New Projects from the Soviet Union". MIT, List Visual Arts Center, Cambridge, USA
1990 "Intaglio Printing in the 1980s". Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, USA
1990 "Paper Architecture". Fondation pour l'Architecture, Brussels, Belgium
1990-91 "Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism". Tacoma Art Museum, Tacoma; ICA, Boston; Des Moines Art Center, De Moines, USA
1991 "Dead Heroes, Disfigured Love". Lorence Monk Gallery, New York, USA
1991 "After Perestroika". Irving Galleries, Sydney, Australia
1991 "Conceptual Soviet Architecture" (AVVAKUMOV, Brodsky, Utkin). Spectrum Gallery, San Francisco, USA
1992 "Current / Currents". Ewing Gallery, University of Tennessee, Knoxvill, USA
1992 "Teamwork". Lintas Corporation, New York, USA
1993 "From Chaos to Creation: Russian Art from 1972-1992". The Rye Arts Center, New York, USA
1994 "Ideal Landscapes: Artist from the Former Soviet Union". de Saisset Museum, Santa Clara University, USA
1994 "Universalism and Particularism: The Russian World in Transition". Lehman College Art Gallery, Bronx, USA
1995 "Romantic Visions". Wessel & Lieberman Books. Seattle, USA
1995 "A Place for Trestles". Seafirst Gallery, Seattle, USA
1996 "Elswhere". John Hansard Gallery, University of Southampton, United Kingdom
1996 "Arhaelogy of the Future". Museum of Contemporary Art, Tokyo Museum of Art, Hiroshima, Japan
1996 "Blast Art Benefit". The X-Art Foundation, New York, USA
1996 "Withdrawing". Ronald Feldman Gallery. New York, USA
1996 "Russian Conceptual Art of the 1980s: The Collection of the Duke University Museum of Art". Duke University Museum of Art, USA
1997 "revived Bridges. State Tretyakov Gallery, Moscow


. 1978 Second Prize (together with G. Solopova), OISTT Competition: "Theatre for Future Generations", Paris, France
. 1982 First Prize, Central Glass Company Competition "Crystal Palace", Tokyo, Japan
. 1983 Honorable Mention, Competition "Museum of Sculpture, Tokyo, Japan
. 1983 Third Prize, Shinkenchiku Competition: "A Dwelling with Historism and Localism", Tokyo, Japan
. 1984 Second Prize, Central Glass Company Competition: "Crystal Palace", Tokyo, Japan
. 1985 Second Prize, Shinkenchiku Competition: "Bulwark of Resistance", Tokyo, Japan
. 1986 Second Prize, Central Glass Company Competition: "A Glass Monument to the 2001", Tokyo, Japan
. 1987 Honorable Mention, Central Glass Company Competition: "The Intelligent Market", Tokyo, Japan
. 1988 First Prize (architecture), "East Meets West in Design"
. Jacob K. Javits Convention Center, New York, USA
Criticism

Alexander Brodsky - one of the main followers and leaders of "paper architecture", has experienced its finest hour in 80-ies. Until 1993, all projects are developed jointly with Ilya Utkin, whose solo exhibition Gallery of Regina held in the spring of 1995.
. "Paper Architecture", . as is evident already from its very name, . was born conceptual architectural practice, . and its results can be considered and a kind of easel graphics (Brodsky fans appreciate his work as well as a virtuoso etching), . and literature with "pictures",
. Anyhow, creativity tandem Brodsky, Utkin was highly appreciated by international architectural expertise, as evidenced by numerous awards professional competitions. Percentage of implemented projects at the same time was quite insignificant, and all implementations are either architectural design (interior of the restaurant "Atrium" in Moscow), . either to small architectural forms (a pedestrian bridge in Tacoma, . United States, . located, . as follows from the press release exhibition, . process of implementation).,
. As the basis for all projects Brodsky has always been figurative imagery, the phenomenon of his work, among other things, has always belonged to the practice of modern art
. This exhibition shows him as an artist, the main professional occupation which, as the foundation of thinking, after all is the architecture. "Canalis utopicus" - the first such exhibition Brodsky in Moscow. In it, he should be the favorite motifs and techniques - taking as a basis for a low object, it is extremely mythologised and mystified, making the plot big-style, bringing to a great utopia Piranesi. Architectural skills of the great feel competent in the location of the installation space, respecting the proportions between the expressive forms of the substantive scope and size of the exhibition hall.
"Utopian drainage" - indeed the first monographic exhibition in Moscow, Alexander Brodsky. For over ten years he was in full compliance with their shared movement "paper architecture" appeared on the Moscow stage a kind of unconditional, . but elusive maestro, . conquers his graphic fantasies are full of world art community,
. Despite some stranger tandem Brodsky, Utkin (all projects prior to 1993 were developed by them jointly) has taken a strong leadership position in the local artistic chaos, . assuming (possibly without realizing it) the burden of unconditional virtuosos architectural utopias and live the classics,
. We know how complicated your every subsequent step in the halo of its own credibility. Instantly there is a comparative bracket, evaluative look, every gesture is weighed in the scales of your own "former" glory. But Brodsky safe from the evaluation of trauma. Public applause or reproach and running with fellow artists a race - not his planida.
. He organically and steadily continues to have long chosen path, and "utopian Drain" is easily read as materialized in a very brutal flesh architectural fantasy, or rather - a utopia.
. Sewerage - a series of low-lying, . korobyaschih its recognizability Brodsky matter becomes a repository of the world - invisible and alluring being, . shackled giant pipe, . flattened, . tucked away inside and swirling in her womb unknown, . hypnotic its inaccessibility life,
. Wheezing and gurgling, the sound of water that spews out a mysterious flesh out, only inflame the curiosity, but did not admit inward, stopping us on the precarious border incredible and obvious.
"There are cities in which no return ... They do not proniknesh for any gold ... "- this from another Brodsky, but seemed to be on" Canalis Utopicus ". The endless motion of someone unidentified life as bleak as the monastery of Charon, incomprehensible, as leteyskie water and alluring, like a phantom Venice. On the surface extend only glimpses of it - in graphic lists the artist, accumulate the romantic fantasies of all time. Of course, dreams otherwise pleasant to behold as the city of the sun, or even the Garden of Eden. But Brodsky another romance - moist, twilight, vague tormenting and tingling skin - a tactile rather than visual - what is your unconscious premonition of something for every habitual immersion in sucking the subway tunnel.

Catalog of the exhibition "Canalis utopicus". Regina Gallery, Moscow, 1995


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