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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

MAKAREVICH Igor Glebovich

( Artist)

Comments for MAKAREVICH Igor Glebovich
Biography MAKAREVICH Igor Glebovich
1943 born in s.Tpipoli, Gpuziya
. 1951 pepeezd in Moscow
. 1955-62 studied at the Moscow Art School
. 1968 he graduated from the All-Union State Institute of Cinematography (Art Department)
. since 1979 member of the "collective action"
.
. Collections where works
.
. The State Tretyakov Gallery, Moscow
. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. MANI Museum, Moscow
. The State Russian Museum, St. Petersburg
. Musee National d `Art Moderne, Paris, France
. Berliner Gallery, Berlin, Germany
. Kringst-Ernst Galerie, Cologne, Germany
. Private collection, USA
. "Incombank", Moscow
. Private collection, USA
. Museum Ludwig, Cologne, Germany
. Zimmerly Art Museum, Rutgers University, New Brunswick, New Jersey, USA
. P. Sprovieri, F. Sollante, Rome, Italy
. Ch.Cowles, New York, USA
. Q. Johansen, Oslo, Norway
.
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS

. 1979 Exhibition Hall of Moscow Artists Union Street
. Vavilova 65, Moscow
"Abramov. Chuikov. Makarevitch ". Centre Georges Pompidou, Paris, France
1990 "Closed Fish Show" (with E. Elagina). MANI. Lobnya, Moscow Region.
Freedom - Liberty. Phyllis Kind Gallery, New York, USA
1992 "Within the limits of beauty" (with E. Elagina). L Gallery, Moscow
1993 "Girls and death" (with E. Elagina). Velta Gallery, Moscow
"Between the loneliness and hope". Velta Gallery, Moscow
"Closed fishing exhibition and other installations" (with E. Elagina). Krings-Ernst Galerie, Cologne, Germany
1994 "Life in the snow". GRM (Marble Palace), St. Petersburg
"A novel". Central House of Artists, Moscow
1995 "The game of croquet". Gallery "Obscuri viri", Moscow
1996 "Lignomania". XL Gallery, Moscow (catalog)
"Die mowe". Karin Hertin. Berlin, Germany
1997 "Partial change". Gallery "Obscuri Viri", Moscow (catalog)
"Homo Lignum". XL Gallery, Moscow
GROUP EXHIBITIONS

1968-78 Participation in exhibitions of the Union of Artists
1979 "Photography". Gorka schedules. M. , 28, Moscow
"20 Jahre unabhongige Kunst aus der Sowjetunion". Kunstsammlung. Museum Bochum, Bochum, Germany
1980 "Nonconformists. Contemporary Commentary from the Soviet Union ". Art Gallery, University of Maryland, Maryland, USA
"New Tendencies in Russian Non-official Art". New York, USA
1981 "Nouvelles Tendences de l'Art Russe Non-Officiel. 1970-1980 ". Le Centre Culturel de la Villedieu, Elankur, France
"25 Years of Soviet Unofficial Art. 1956-1981 ". Museum of Soviet Unofficial Art, Jersey City, USA
1981-82 "Russian New Wave". Contemporary Russian Art Center of America. Soho.International Art Center. New York, USA
1982 "Transplantation of Russian spirituality". New York, USA
1982-84 "Russian Samizdat Art". New York City, Rochester, Westchester, Washington, Vancouver, Canada, Richmond, Seattle, Pittsburgh, Los Angeles, USA
1983 "Come Yesterday and You'll Be First". City without Walls: an urban artists collective inc. Contemporary Russian Art Center of America. Newark, New Jersey, USA
1987 First Exhibition of Avant-gardists Club (CLAVA). Peresvetov Lane., Moscow
"Retrospective of Moscow Artists. 1957-1987 ". l of the "Hermitage", Profsoyuznaya st., q. 100, Moscow
"Object-I". M., 28, Moscow
"Photography". l. / about. Hermitage, Profsoyuznaya st., Q. 100, Moscow
1988 "Sauna" (exhibition-action). Avant-gardists Club. The men's section Sanduny baths, Moscow
"New Russian". Hall of Science and Culture, Warsaw, Poland
The second exhibition of Avant-gardists Club. Peresvetov Lane., Moscow
"Post-Socialist Realism". Maryland, USA
1988-89 "Smile, please!" ( "Smile, please!"). Galerie Comptoir de la Photographie, Paris, France; Porfolio Gallery, London, UK; Cinema Center, Moscow
1989 "Expensive Art. Youth Palace, Moscow
"Perspectives of Conceptualism". Peresvetov Lane., Moscow
"Inexpensive Art". First Gallery, Moscow
1990 "Towards the Object". Kashirka, Moscow
"The Green Show". Exit Art, New York, USA
"The Work of Art in the Age of Perestroika". Phyllis Kind Gallery, New York, USA
1990-91 "Between Spring and Summer: Soviet Conceptual Art in the Era of Late Communism". Tacoma Art Museum, Tacoma, WA; ICA, Boston, MA; Des Moines Art Center, De Moines, IA, USA
"Adaptation and Negation of Socialist Realism". Aldrich Museum of Contemporary Art, Connecticut, USA
1990-91 Other Art. Moscow 1956-1976 ". Gallery Moscow Collection. State Tretyakov Gallery, Moscow; RM, Leningrad
1991 "Perspectives of Conceptualism". The University of Hawaii Art Gallery, Honolulu;
Clocktower Gallery, Public School 1, New York, USA
"MANI Museum - 40 Moskauer Kunstler im Frankfurter Karmelitenkloster". MANI. Frankfurt, Germany
"Contemporary Soviet Art: From Thaw to Perestroika". Collection of contemporary art museum Tzaritzyno. Setagaya Art Museum, Tokyo, Japan
"Kunst: Europa, Sowjetunion". Kunstverein, Hannover, Germany
"Artistos Russos Contemporaneos". Auditorio de Galicia, Santiago de Compostela, Spain
"Kabakov. Kiesewalter. Makarevich ". Galeria Parallela, Valencia, Spain
"Novecento". L Gallery. Central House of Artists, Moscow
"Private Lessons". 1.0 Gallery, Moscow
"V izbah / in the room;. Dom kultury, Bratislava, Slovakia
1992 "Topography". L Gallery, Moscow
"a Mosca ... a Mosca ... "Villa Campoleto, Ercolano; Galleria Comunale d'Arte Moderna, Bologna, Italy" Ex USSR ". Museum Groningen, Netherlands
"Three Views". Contemporary Art Center, Moscow
Exhibition at Butyrskaya. ISI. Moscow
1992-93 "Perspectives of Conceptualism". North Carolina Museum of Art, Raleigh, USA
"Humanitarian aid parcels for Germany. 27 Moscow Artists ". Central House of Artists, Moscow; "Humanitare Hilfe, Packchen fur Deutschland". Tranenpalast, Berlin, Germany
1993 "Drei Blicke". Russian-Norwegian Center, Kirkeness, Norway
1993 "Adresse provisoire pour l'art contemporain russe". Musee de la Poste, Paris, France
"Monuments: Transformation for the Future". ICA, New York; ISI, Moscow, Central House of Artists, Moscow
"Three Views". Art Museum, Murmansk
"Art Cologne". Cologne, Germany
"Art Hamburg". Hamburg, Germany
"New Territories of Art. State Art Museum, Krasnoyarsk
"A Mosca ... a Mosca ... "Milan, Italy
"ART MIF 3". Manege, Moscow
"National traditions and postmodernism". State Tretyakov Gallery, Moscow
"FIAC'93". Paris, France
"Local Time" (festival). Moscow
"From Malevich to Kabakov". Museum Ludwig, Cologne, Germany
1994 "The Place of Salvation - Moscow". Aachen, Germany
"Moscow Artists - new look". Artist's House at Kuznetsky Most, Moscow
"Victory and defeat". "Obscuri viri", Moscow
"The artist instead of the product". Central House of Artists, Moscow
Cetinjski Bienale II. Cetinje, Montenegro
"The border zone of Art. Festival of Contemporary Art. Art Museum, Sochi
1995 "Kunst im verborgenen. Nonkonformisten Russland 1957-1995 ". Collection of Contemporary Art Museum Tsaritsino ". Wilhelm-Hack Museum, Ludwigshafen am Rhein; Documenta-Halle, Kassel; Staatliches Lindenau Museum, Altenburg, Germany
"Art of Dying". Yakut Gallery. Manege, Moscow
"Action Force". Kunstverein, Munich, Germany
"Zeichnungen der Moskauer Szene". Galerie Hohenthal & Littler, Munich, Germany
"Esotericum". XL Gallery, Moscow
"The private view on the war". ISI. Museum House on the Embankment, Moscow
"in Moskau ... in Moskau ... "Badischer Kunstverein, Karlsruhe, Germany
"Copyright-96". Aidan Gallery, Moscow "Winter Garden". Moscow
"Walking over the horizon". Profsoyuznaya 100. Moscow
"Artists of the Moscow scene". Gallery Hoental and Bergen, Munich, Germany (catalog)
"On the house", Profsoyuznaya 100, Moscow
"Flight - Care - Disappearance. Moscow Conceptual Art. Prague, Czech Republic, Berlin, Kiel, Germany
1996 "From Gulag to Glasnost". Collection of Nancy and Norton Dodge. New Jersey. USA (catalog)
"Fluxus. Yesterday. today. tomorrow. History Without Borders. Central House of Artists, Moscow
"Post Modern Art". Central House of Artists, Moscow
"Artoteka, NCCA. Central House of Artists, Moscow
International art fair ART-MOSCOW. Central House of Artists, Moscow (catalog)
Zone ". State Tretyakov Gallery, Moscow
"10 Years of Avant-gardists Club". Peresvetov Lane., Moscow (catalog)
Three Card. ROSIZO, Moscow
"Russian atelier". Amsterdam, Netherlands
"The boundaries of interpretation". State Humanitarian University, Moscow
Moscow Forum of Art Initiatives. New Manege, Moscow (catalog)
"Visiting a fairy tale" (curator A. Sargsyan). Contemporary Art Center, Moscow (catalog)
"Moscow Studio 1991-96". Washington, New York, USA (catalog)
1997 "History in Faces" (from the collection of the Museum of Modern Art Tsaritsino "), Samara, Perm, Novosibirsk, Yekaterinburg (catalog)
International art fair ART-MOSCOW. CHA. Moscow (catalog)
"Ecology of emptiness". Contemporary Art Center, Moscow
"Conceived and paint.. Pivovarov. Prigov. Elagina. Makarevich ". Krings-Ernst Gallery, Cologne, Germany
"Collective Action". Exit Art Gallery, New York, USA
III Biennale of Contemporary Art. Cetinje, Montenegro
"The world of sensible things in the pictures - the twentieth century", Gallery M `ARS. Pushkin Museum of. Pushkin, Moscow
"Mystical correctness". Gallery Diana Hohenthal, Berlin, Germany
1998 "The World of Eye - 2". Chuvash State Art Museum, Cheboksary (catalog)
"The second paragraph. Courage ". ISI Moscow
"Renovation". Exhibition hall in the cultural and historical center of "Slavic", Moscow
International art fair ART-MOSCOW, galleries: M `ARS," Obscuri Viri ", XL Gallery. New Manege, Moscow
"Willer and Boxing. 250 years "(with E. Elagina, S. Anufrieva, T. Novikov, S. Bugaev (Africa), L. Bereza, D. Lukanin, Yu ostrich, etc.). Exhibition curator A. Yakut. Manege, Moscow
. History of Historicism "(with Aidan, . V. Brainin, . O. Bulgakova, . I. Golicina, . K. Danelia, . E. Kornilova, . I. Korsakova, . V. Koshlyakov, . Kulik, . S. Maksyutina, . A. Medvedev, . B. Mikhailov, . Novikova, . B. Orloff, . A. Sitnikov, . A. Slepyshevym, . Smirnov, . Tsereteli, . E. Yashin),
. AOSIS, Moscow

Autobiographical notes

I was born in 1943 in Georgia, in a mountainous village, where my grandfather worked on the construction of hydropower stations on the River Church. There was my mother and father went to war. Both were architects. I can not resist the additional features of the place where I was destined to be born, as I'm sure it influenced my life and my work. In adulthood, I found a Zabolockij poem Hramges ", dated 1947, describing it is a" plateau Tsalka ". Near the village there were four names: Tsalkin - Georgia, Molotov - Soviet, Tripoli - Greek and Rosenberg - German (with Catherine's time until the time of my birth there lived Germans - the colonists.)
. Of course it would be naive to say that my "archeological" inclinations were born at the time, but it is impossible not to mention that even during the war in these mountainous areas of land have been drawn and gilded chariots, and Greek amphora.
. In Moscow, I was in 1951
. He graduated from the secondary art school, then the Faculty of Arts Institute kinematografii. He worked as a book illustrator, monumental, stage designer, photographer. At my work and worldview was influenced by Ilya Kabakov and Andrei Monastery. I was a member of the group "Collective Actions". Since 1990, the majority of the projects I carried out jointly with Elena Elagina. Mythology of the grand period of Soviet history continues to stimulate my creative energy. I often want to combine it with a romantic tale with a bad end ", as aptly E. Tar
.
. Criticism
.
. Out of respect for the truth should, . apparently, . notice, . that any general (monographic) the text of a living artist differs from the version of involuntary obituaries time of his narration, . incomplete arrayed series and, . at best, . deficiency claim to objectivity,
. But while the speech articulation desakralizuyut existential levels of creativity, processing and packaging more than the outward manifestations of the author's early - and they are not deprived of certain magical effects. Thus, the enlightened reader, of course, knows that the first "coffin" Igor Makarevich "knocked together" by A. Monastery: "The case for almost all the submitted works are a number. Different ways and in different materials the artist depicts the attributes of "this" side of death: gravestones, lock picking tools, coffins, etc. "(AZ N3, p.34) ... List of transfers occur almost all subsequent work of Igor Makarevich, and finding depicted attributes could, if necessary, without error to attribute the authorship of his works. The stability of involvement in the death of these themes provides vneshokovost development, . too explicit, . to glare, . and too unproblematic articulated (reception, . typical range of artists KD), . to bear a label negrophobia or necrophilia,
. Existential author's experience seems to initially overcome, as if being replaced sum of all the artistic manipulation, craft, work ...
. As an artist, . Igor Makarevich mainly characterized by high professional level of action, . brought to formal perfection, . special "discharge", . "-designed" works, . details details, . appeal to the traditional aesthetic codes and excellent skills of, . whether book graphics (illustrations for Kafka, . Thackeray), . picture, . monumental projects or "domestication" of exhibition space (namely, he developed a specific design style exhibits Club Avant-gardists) ..,
. Such universality is in itself quite unique and would not get rid of the naive, . but not without a special attraction (in the following culturological logic), the temptation to provide a creative studio, Igor Makarevich, as some of the Bureau of funeral services with all the consequent comparison of the understanding of semantic space of the artist's,
. Aesthetically autonomous sculptural objects of different years are part of a fairly closed itself, . whole logical system, . not undergone a significant evolution of mentalities, . but a wide ranging choice of means of expression within the permissible forms of external,
. Starting with yourself and filling out the fact of his own lifetime experience "dematerialization" (the process of removing the mask in the "Changes") as an artistic gesture, . through "25 memories about each other", . "Dispersion of the soul soars and other objects of the 1970, . Igor Makarevich moved to expand the space of traditional modernist gesture: from fingerprints "Mobile Gallery of Russian Art" (1981) - to the obituary "Stationary gallery of portraits of the three" good "artists: Chuikov, . M. Kabakov and Bulatov (recall here, . that "A good artist - a dead artist), . and then - to the "dumping" as if the entire pre-modern cultural civilization in the "reincarnation of the relics Sv.Ignatiya" (1991),
.

T. Salzirn


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