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OVCHINNIKOVA Maria (Dyuzhenko Elena)

( Artist)

Comments for OVCHINNIKOVA Maria (Dyuzhenko Elena)
Biography OVCHINNIKOVA Maria (Dyuzhenko Elena)
1959 born in Moscow
. 1980 Graduated from the Moscow Art uchilishe memory of 1905
. 1988 graduated from Moscow Polygraphic Institute
.
. Collections where works
.
. Bank Reynbank, Germany
. P. Sprovieri, Rome, Italy
. O. Morane, Paris, France
.
. Participation in exhibitions and auctions
.
. GROUP EXHIBITIONS

. 1983 Youth Exhibition XIV
. Moscow
1984 XV Youth Exhibition. Manege, Moscow
1985 XVI Youth Exhibition. Artist's House at Kuznetsky Most, Moscow
1986 XVII Exhibition of Young Artists. Artist's House at Kuznetsky Most, Moscow
1989 "Interart". Poznan, Poland
1990 "Art Myth 1". Central House of Artists, Moscow
1991 "Novecento". L Gallery. Central House of Artists, Moscow
"ART MIF 2". Manege. Moscow
1992 "a Mosca ... a Mosca ... ". Villa Campoleto, Ercolano; Galleria Comunale d `Arte Moderna, Bologna, Italy
1992-93 "Humanitarian aid parcels for Germany. 27 Moscow Artists ". Central House of Artists, Moscow; "Humanitare Hilfe, Packchen fur Deutschland". Tranenpalast, Berlin, Germany
1993 "Collection d` Art Contemporain RINACO. Moscou 1993 ". Caisse des Depots et Consignations - 56 rue Jacob, Paris, France
"Monuments: Transformation for the Future". ISI, CHA, Moscow; ICA, New York, USA
"Shop". Shop "Constantine". Olympic Complex, Moscow
1994 "Visio Beatifica". L Gallery, Moscow
"The border zone of Art. Festival of Contemporary Art. Art Museum, Sochi
1995 "Artists Against Sex". Night club "Manhattan Express", Moscow
"Apocalypse" (jointly with Mr.. Ryazanov). Russia State Humanities University, Moscow

Criticism

Latin ab ovo (letters. with eggs, from the beginning) could be the motto of creativity Masha Ovchinnikova, in which the egg is serving as a basic, form-building element. With this simple course the author is able to appeal directly to the content - the contents of eggs, twisting inside out, literally outputting to the surface hidden in it (as in the embryo) sense. It is obvious that the author is not afraid of this risk occurs when the effect of "damn", as the wholeness (integrity) eggs as a symbolic form is not subject to her question. Produced manipulation did not have the character of the destructive gestures - in shkolyarski splits the shell does not solve the dilemma of scholastic prerogative to chicken eggs, and vice versa. We can assume that by appealing to the sensual experience of the audience and trying to provide the egg thing-for-us, for himself retains his status as the thing-in-itself, some of the Absolute.
. Global metamorphosis "world egg", . replacing geometric sphericity model of an exact science to the wrong perfection Egg archetype, . should not, . sure, . perceived as a superficial manifestation of the planetary ecological fragility: on the contrary, . it can be regarded as a "visual aid" on the popular metaphysics, . resting on the unshakable foundation of faith in a higher meaning and eternal life, . justifies and return of the artist from his post as head of the intellectual incubator of the modest, . but pride of place chicken, . bearing Easter eggs,
.

M. Orlov. "Masha". Catalog Collection of Contemporary Art Rinaco ". Moscow, 1993


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OVCHINNIKOVA Maria (Dyuzhenko Elena), photo, biography
OVCHINNIKOVA Maria (Dyuzhenko Elena), photo, biography OVCHINNIKOVA Maria (Dyuzhenko Elena)  Artist, photo, biography
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