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Orlov Igor Mikhailovich

( Artist)

Comments for Orlov Igor Mikhailovich
Biography Orlov Igor Mikhailovich
Born November 10, 1935.
He graduated from the Secondary Art School, then the Moscow State Art Institute. VI. Surikov
.
. Collections where works
.
. Works are in the State Tretyakov Gallery in Moscow,
. State Russian Museum in St. Petersburg,
. museums and galleries in Tula, Sochi, Bryansk, Kherson, Tomsk, Perm, Arkhangelsk, Krasnoyarsk, Novokuznetsk, Orenburg, Orel,
. galleries and private collections in Bishkek (Kyrgyzstan), Sofia (Bulgaria), Cologne (Germany), Athens (Greece), Boston (USA), Vienna (Austria)
.

Participation in exhibitions and auctions

1960-72 5-9th Youth Exhibition. Moscow;
1960 Autumn Exhibition. Moscow;
1971 Republican exhibition of still life. Leningrad;
1973 Exhibition of Moscow Artists. Los Angeles. U.S.
1977 Moscow Art Exhibition. Berlin. GDR;
1984 Personal exhibition. Moscow;
1985 Exhibition of Russian and Soviet landscape. Finland;
1988 Republican exhibition of interior. Leningrad;
1989 Republican exhibition of landscape. Moscow;
1989 Exhibition of Soviet and Japanese artists. Tokyo
1989 Exhibition of Soviet Artists. Florence. Italy
1990 Group Exhibition, Moscow and Lenin-Gradskij artists. Leningrad;
1990 Tradition. Moscow;
1991 Exhibition. Gallery Soho. Boston. U.S.
1992 Personal exhibition. Vienna. Austria.

Autobiographical notes

Consider creativity as a form of personal development, a form of existence. What is important is the organic and the sincerity of creativity. You can not simply strong-willed way to decide what should be the language, form of the product. It must flow naturally, spontaneously from the personality of the artist, from the nature of his worldview, from education. This should be as natural as breathing.
. Suspicious attitude to a sharp change in style of the artist, to coexist with one artist at once mutually exclusive modes of expression.
. I acknowledge the idea of the integrity of the world, the relationship of each smallest part of nature with each other ...
. The second factor affecting the nature of my work, is an acute sense of impending disaster
. The situation facing the whole of mankind and Russia in particular - tragically. The feeling of the infinity of life. The question is about: whether humanity will survive, not degrade it as a species.
Yet the dream of harmony, beauty, peace, nature is infinitely beautiful. This feeling intensified by the consciousness of even the doom of the world in which there is humanity. And this, too, I hope, is reflected in my work.

Bibliography

A.ZH. Yagodovskaya "from reality to image", ed. "Owls. artist ", 1985, Moscow, p.. 85-87;
MN. Sokolov, "Interior painting in the mirror", ed. "Owls. artist ", 1986, Moscow, p. 171;
VS Manin Landscape Orlova ", Journal of Art", N10, 1986, page. 16-20;
A.ZH. Yagodovskaya "Author and hero in the paintings of Soviet Artists", published. "Owls. artist ", 1987, Moscow, p.. 232-236;
Vernissage in Moscow, Album, Publishing. Press Agency "Novosti", 1989, p.. 17.


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