PROTOPOPOV Kirill Andreevich( Artist)
Comments for PROTOPOPOV Kirill Andreevich
Biography PROTOPOPOV Kirill Andreevich
Born in Moscow in 1959.
In 1982, Mr.. graduated from Moscow Higher Industrial Art School (b.Stroganovskoe), Faculty of Design.
Since 1984. - Member of the Union of Artists.
He is a member of the Moscow club medal
. Collections where works
. Works are in the State Tretyakov Gallery,
. Historical Museum, Moscow,
. Nicholas Roerich Museum, New York,
. in private collections in Russia, Germany, Sweden, France, New Zealand, United States
Participation in exhibitions and auctions
1985 "Images and profession". Moscow;
1986 "Concours de la Renaissance des Madalles". Paris;
1987 "The Artist and the time". Moscow;
1988 "Thousand Years of Russian Culture". Moscow;
1989 "Eberle Gallery". Stuttgart. Germany;
1990 "IX Biennale Internazionale Dantessa". Ravenna. Italy
1991 "The history of plastic art". Nicolay Roerich Museum. New York;
1993 Exhibition Gallery "M'ARS". Moscow;
1993 "Park Place". Moscow;
1993 "Weihnachtsmesse der Kunsthandwerker 1993". Badisches Landesmuseum. Karlsruhe. Germany;
1993 "Xac Mutlicult Gallery". BFG Hochhaus. Frankfurt. Germany;
1994 "Frankfurt Airport conference centre". Frankfurt. Germany;
1994 "Russian Collection. Gallery M'ARS ". Moscow;
1994 "Mad Gallery Eberhard". Pforzheim;
1994-1995 "Weihnachtsausstellung-Kleinplastiken und Bilder". Galerie St.Eberhard. Stuttgart. Germany;
1995 Exhibition Gallery "NB". Moscow;
1995 "Artistamps and the mail art movement". California Museum of Art. Santa Rosa.
Design helped me go from working on the plane to the spatial sculpture. Since 1988, using a mixed technique and a variety of materials: ceramics, wood, decorative stone, metal, working on a collection of sculptures of the Old and New Testament, which was first shown in the gallery "MAR'S in Moscow in 1993. Currently, I continue to work to find, trying to combine the legacy of ancient cultures with modern civilization.
A close study of ancient civilizations and artistic intuition allowed K. Protopopov historically accurate, but without the petty likelihood convey the spirit of the harsh era. These monumental sculptures, . despite the small size, . their heavy undivided volumes, . the strict archaic patterns of ornaments ... On the other hand - this work, . clearly gravitating to the vanguard, . freely combine different techniques-ceramics, . metal, . tree, . glaze,
. Suprematic pieces of wood, mounted on ceramics, on the author's thoughts symbolize a half of the black sun, speak of the sorrows and suffering ( "The Prophet Isaiah"), then the cup of wrath, the streams of light ...
Oleg Torchinsky. Kommersant DAILY "25.04.93
. A. Noise "Young sculpture-86", "Moscow artist", N4, 1987;
. Kuznetsova "Pictures at an Exhibition," Jurmala ", N13, 1987;
. "Here he lived and worked," Literary Lithuania ", N2, 1988;
. Bogdanov "Two sides of the coin", "Satellite", N3, 1990;
. A. Torchinsky, inspired by the Bible "," Nezavisimaya Gazeta ", p.
. 7, 28 April 1993;
A. Torchinsky "Exhibition in MAR'S" e, "Kommersant Daily", April 25, 1993;
Ausstellung-Eroffnungen, Frankfurkter Rundschau, N233, p.30, October 7, 1993;
A. Torchinsky Biblical Subjects sculptor ", BMN, N8 (158), p. 22, March 8, 1995;
Special sculptures, Moscow Revue 6-31, march, Issue, 12, 1995.