PUTERBROT Edward Moiseevich

Born in 1940 in Makhachkala.
In 1962 he graduated from Dagestan State University. VI. Lenin Mathematics.
Honored Artist of Dagestan.
Tragically died Nov. 15, 1993 in Makhachkala.

Collections where works

Works are in the State Central Theater Museum of. AA. Bakhrushin
State Museum of Oriental Art in Moscow,
Dagestan Republican Museum of Fine Arts,
private collections in Russia, the Czech Republic, Slovakia, Germany, France, Israel.

Participation in exhibitions and auctions

1977 Young Soviet Artists. Bulgaria, Hungary, Romania;
1978 8 th Biennial of Graphic Arts. Brno. Czechoslovakia;
1988 Young Soviet Artists. Poland, Bulgaria, Croatia, Cuba, East Germany;
1990 Restructuring `Art Year 5. Gallery L `orangeraie, September Paul de Vence, France;
1990 Exhibition of Soviet Artists. Istanbul.
1991 Exhibition of artists Dagestan. Blanheym / Ap. Germany;
1991 Kunst-Europe (Artists from Makhachkala). Oldenburg. Germany;
1993 Exhibition Gallery STANBET ". Mikkeli. Finland.

Autobiographical notes

This image - this is such a cabbage, which many would not stripped of leaves and stalks to not dobereshsya constantly approaching her (ideal).
All that be completely deciphered, it becomes tedious. Should read approximately. A hint. Metaphor should be infinitely deep. Emotions must be motivated. Blowing should trifle. Logic is not a mathematical. Fungus tearing asphalt. Clip hints. Surround the audience with smoke images. Themselves, he is afraid. He seeks meaning, fearing to find him.
Let leaves obkurenny, did not understand, stung, but not humiliated by the understanding and clarity. Thus, the shell should be simple, supposedly available, but with a glitch. From this the viewer must permeate nervousness, distrust of the authors hurt. Here or will contact, or ... let go.

Criticism

The Art of Edward Puterbroda - particularly remarkable subtlety and freshness of imagery tone. It clearly falls outside the range of fashion and prestige among our contemporaries Fine innovations. Sincerity mirochuvstvovaniya and severity of expression - features works by this artist. His concern is not individual topics, themes or motives, albeit a very spectacular and informative in its polysemy. He is looking for more - the possibility of almost palpable confer colorful element, pulsating on the canvases, the energy intensity of the experience of plastic spiritualising most ordinary reality.

In. Martynov

Bibliography

"Edward Puterbrot", a collection of "Music of Color", 1979, Makhachkala;
Album "The Art of Daghestan, 1981, Moscow, izd. "Soviet Artist";
Catalog of the exhibition "Edward Puterbrot", 1982, Makhachkala;
Catalog of the exhibition "Edward Puterbrot", 1984, Moscow;
"Edward Puterbrot", a collection of "Artists of the Soviet theater and cinema", N7, 1989, Moscow, izd. "Soviet Artist", p.. 133-144;
Catalog of "Restructuring` Art Year 5, 1990, Saint Paul de Vence, France;
Booklet Gallery STANBET, 1992, Moscow.