Tara TESER Marc( Artist)
Comments for Tara TESER Marc
Biography Tara TESER Marc
In his youth, mentally traveled around the world and settled on the island of Formentera in Spain, where he engaged in painting.
Collections where works
Works are in the National Fund for Contemporary Art in Paris.
Participation in exhibitions and auctions
EXHIBITION HELD IN GALLERIES
1966 Gallery. Karachi
1971-72-73 Ivan Spence. Ibiza. Spain;
1974-75-76 Ackerman gallery. Formentera. Spain;
1978 Tsaringer gallery. Zurich. Switzerland
1984 Cultural Center. Munich. Germany;
1984 Abel Ramber gallery. Paris;
1985-89 Vendome gallery. Paris;
1985 Michel Ozen. Paris;
1989 Bela and Sina's gallery. Baram. Formentera. Spain;
1990-91 Es Moli Gallery. Ibiza. Spain;
1992 ART EXPO. Paris;
1993 Eosen gallery. Paris;
1994 Kandaifa gallery. Ibiza. Spain.
BEAUTY, fairs, rallies
1978 Museum of Modern Art. Ibiza. Spain;
Bristol 1979 Great Exhibition. Kingdom;
1980-85 Spring Salon. Ibiza. Spain;
1982 Trade Fair in Dц+sseldorf. Germany;
1985 SALA DE CULTURA SA NOSTRA. Ibiza. Spain;
1990-92-93 SALON FIGURATION CRITIQUE. Grand Palais. Paris;
1992 Exhibition Palace. Biarritz. France;
1993 EUROPART. Fair. Geneva. Switzerland
1993 Foundation SANTILLA. Spain;
1994 Modern painting. France. DONGAH gallery. Seoul. Korea;
1995 SALON COMPARAISON. Tour Espas Eyfel. Paris
. Autobiographical notes
. Oil painting on linen canvas, where you can see the expression of the duality of the characters in a classic performance against the backdrop of a rough and free of matter, thus opposing the two painting techniques, which ultimately gives the required sense
. Characters take steady posture, so that this feeling was not hidden.
. Composition, which uses the characters and objects, creates a kind of breath in outer space.
. This material is used for the background and the freedom of these characters is of great importance for the expression, but also to search for this duality
Tara Teser calls his painting "metaphysical realism". Purified technique and transposition of reality create "Liev motiv", which compels the viewer to come closer to the painting, but through the recognition that a different interpretation: another dimension, displayed the artist - is a metaphysical dimension. In his work there are always two realities: the possible visible and, on the other hand, occult invisible on the `organization, explains the first, open line of plastic research and thoughts. For the artist's painting is not only the plastic projecting, as well as the whole process of acquiring knowledge.
Editions Hansorasher. Revue. 1980;
Figuration Critique. 1992/93/94.