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Umnova Viktor Ivanovich

( Artist)

Comments for Umnova Viktor Ivanovich
Biography Umnova Viktor Ivanovich
photo Umnova Viktor Ivanovich
Born in 1931.
He graduated from the Moscow Power Engineering Institute in 1955.
He studied at the art studio at 1954-1957gg ..,
studied painting and graphics individually under the guidance of artist MP Klyachko.
Participates in exhibitions since 1962.

Collections where works

Works are in the State Tretyakov Gallery in Moscow,
Assembly of the Ministry of Culture of Russia,
Literary Museum of. Gorky in Moscow
. museums of Yaroslavl, Yekaterinburg, Tyumen, Vologda, Arkhangelsk,
. Meeting of the European Communities in Strasbourg,
. Gallery "Art Nouveau" in Moscow,
. private collections in the United States, Britain, France, Italy, Germany, Switzerland, Spain
.

Participation in exhibitions and auctions

1988 In memory of Malevich. Showroom Kashirka. Moscow;
1988 Art and Reality. Artists House. Moscow;
1988 Labyrinth. Youth Palace. Moscow;
1988 Exhibition of avant-garde graphics. Central House of Artists. Moscow;
1989 Exhibition graphics. Trieste. Italy
1989 Self. Central House of Artists. Moscow;
1989 New Reality. Ravenna, Bologna. Italy
1990 Exhibition Gallery "Art Nouveau". Istanbul;
1990 Other Art 1956-1976. The State Tretyakov Gallery. Moscow;
1990 Exhibition of 14 artists. Artists House. Moscow;
1990 Calligraphy. Joint Soviet-American Exhibition. Central House of Artists. Moscow;
1991 Search abstraction. Moscow;
1991 Contemporary artists Malevich. The State Tretyakov Gallery. Moscow;
1991 Calligraphy. NY. U.S.
1991 Other Art. The State Russian Museum. Moscow;
1991 Figure - 91. Central House of Artists. Moscow;
1991 Memory Kandinsky. Moscow;
1992 Exhibition graphics. Erfurt. Germany;
1993 Personal exhibition. Gallery Moscow Collection. Moscow;
1993 Exhibition in "Kostaki-Center". Toronto. Canada;
1994 Modern Graphics Russia. Central House of Artists. Moscow;
1994 Exhibition 7-mi artists. Gallery A - 3 ". Moscow;
1994 New Look. Exhibition of Moscow Artists. Artists House. Moscow.
1995 "A-1, A-2, A-3". Gallery A-3 ", Moscow
1996 "Russian Collection. Gallery M `ARS, Moscow
"Kaliningrad - Koenigsberg, 4-th International biennnale easel graphic. Kaliningrad Art Gallery, Kaliningrad
1997 "The World Collector. View contemporary "(from the collection of EM Nutovich). Museum of Private Collections, Moscow
"Surrealism in the service of revolution. New Documents. Gallery A-3 ", Moscow
"Russian constructivist roots: present concerns". The Art Galerry University of Maryland, USA

Autobiographical notes

Until 1983 was engaged in figurative painting and graphics in an expressive manner. By this time I wrote a book of aphorisms, which served as the impetus for the creation of a series of abstract paintings of symbolic persuasion. Awareness of the significance of symbols of opposites (rational and irrational, . male and female, etc.) in form and color became the foundation of beautiful constructions, . are plastic equivalents initially raised my verbal constructions,
. In addition to the works, . beyond the symbolic method, . I keep a passion for connection nesoedinyaemogo and needs to use the plastic floor, . is in the process of interaction with her that emphasized and supported, . as dominant, . there remains some, . disappears altogether,

.
. Criticism
.
. When the art of pictorial series gets a verbal text, . the viewer inevitably arises a kind of psychological tension, . because, . one hand, . would no doubt as an expression of a sense, . on the other - is questionable as the fine element,
. The intellectual core of this art is a study of a threshold of informativeness "of the various ways of expression. As a result of the conflict between visual and verbal in plastic, as on the battlefield remains a "ban on the word" or a ban on image. As if following such a ban, . suddenly perceived, . Several years ago, Victor Umnov, . schedule with a sharp vision and a non-trivial, . suddenly moved from expressive-dramatic figures to minimalist abstractions, . from the sensual fullness - to the analytical asceticism,
. In painting, this analytical pathos embodied in its purest form and full compliance with the author's desire to explore the sacred dimensions of semantics of geometric forms, . the laws of their existence in the vast cosmogonic system, . in a series of oppositions "male - female", . "rational - irrational", etc.,
. In addition to the philosophical reflections of the artist have been introduced to them directly in the large graphic compositions. Significantly dramatized imagery of these songs. Syuzhtnaya dmaturgiya these sheets is constructed as if to counter speech with silence. Collision "say" and "express" creates a worksheet in the active field - a field of interaction between two ways of speech, in the aggregate and in the struggle still proclaim a single truth. This is the truth above all dialectical - as dialectical, is dual world, strange and indirect projection of which this schedule. Actually, not only graphics. Even philosophy.

G. Elshevskaya

Bibliography

Yearbook of the "Soviet Graphics", N7, 1983;
Peshler EA. "Ateliers de Moscow Dessins contemporains", ed. E. Navarra, Paris, 1989;
Magazine "Art", N1, 1990;
"New album charts, Moscow, izd. "Soviet Artist", 1991;
Catalog-study "Other Art", Moscow, 1991;
Newspaper Moscow artist, 18 January 1991;
Izvestia, 22 February 1992;
Album Art image ", Moscow, izd. "Soviet Artist", 1989.


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