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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Klebnikov Vera Maevna

( Artist)

Comments for Klebnikov Vera Maevna
Biography Klebnikov Vera Maevna
1954 born in Makhachkala, Dagestan
. 1977 Graduated from the Moscow Polygraphic Institute (Faculty of Arts and the technical design of printed materials)
. 1985 member of the USSR Union of Artists
.
. Collections where works
.
. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. Museum of Alexei Tolstoy, Kuibyshev
. Private collections in Sweden, Holland, Germany, USA
.
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS
. 1995 "surrogates"
. Yakut Gallery, Moscow
"The Rustle of time". Venajanja Ita-Europian Instituuti, Helsinki, Finland
"Papierarbeiten". Galerie Inge Herbert, Berlin, Germany
1996 "Apology". Gallery "Obscuri Viri". ROSIZO, Moscow
1997 "House of Artists, or My Life in Art". XL Gallery, Moscow

GROUP EXHIBITIONS

1982 "Second All-Russia Exhibition of book illustration". Perm, Leningrad
1983 "All-Russia Exhibition of drawings and watercolors". Manege, Leningrad
XVI Youth Exhibition. Manege, Moscow
1986 XVII Exhibition of Young Artists. Artist's House at Kuznetsky Most, Moscow
1990 "Worker". October, 26, Moscow
1991 "tour". Peresvetov Lane., Moscow
"Biennale of Children` s Books ". Tehran, Iran
"Topography". L Gallery, Moscow
1991-92 "Sowjetische Kunst um 1990" (Binazionale). Kunsthalle Dusseldorf, Dusseldorf, Germany; Israel Museum, Jerusalem, Central House of Artists, Moscow
1992 "Letter to Bulgakov". Central House of Artists, Moscow
"Heart of four". House officers, Moscow
1993 "Trzy Generacji". Konin, Poland
"Shop". Shop "Constantine". Olympic Complex, Moscow
1995 "Art of Dying". Yakut Gallery. Manege, Moscow
Winter Garden. Cultural Center "Phoenix", Moscow
"Everyday Art". Yakut Gallery. San Remo, Italy
"Women of Russia in Art". Conway Hall, London, United Kingdom
"Gebrochene Spiegel der Natur". Bremer World Trade Center, Bremen, Germany
"How to Draw a Horse". Hippodrome "Sokolniki", Moscow
"Zeitgenossisя¦he Kunst aus Russland". Daimler-Benz Aerospace, Munich, Germany
"Apocalypse". Russia State Humanities University, Moscow
"Worker-2". L Gallery, Moscow
1996 "Nordgrafia". Visby, Sweden
"Blickkontakte". Volkshochschule, Dusseldorf, Germany
"The Moscow Studio", Corcoran Museum, Washington; Mimi Ferzt Gallery, New York, USA
'Silk Art. "Moscow Studio". Residence of U.S. Ambassador to Russia Savior House, Moscow
"B guest of Tales" (curator A. Sargsyan). Contemporary Art Center, Moscow
1997 "Quadrennial graphics". Central House of Artists, Moscow
International art fair ART-MOSCOW. Central House of Artists, Moscow (catalog)
"Tetterode Graphic Trophy". Academy of Fine Arts, Moscow, The Hague, The Netherlands
"The fifth paragraph". Cultural Center "Phoenix", Moscow
"Hero of Our Time". Cultural Center "Phoenix", Moscow
"Barbie", Stockman. Helsinki, Finland
"Double 2". Polytechnical Museum, Moscow
"Reverse perspective - Russian minimalism" to the Days of the New Russian Art in Rzhev
International Art Fair "Art Manege", gallery "Today" ( "Lessons of Labor"). Manege, Moscow
1998 "Renovation". Exhibition Hall in the Cultural-historical center of "Slavic", Moscow
"2 Human stories through 2 Old Family Archives" (in conjunction with A.Ardin-Kedja). Gotland Konst museum. Sweden

AUTHOR PROJECTS

1993-95 book "Women in the arts and Living. assured., 1 reb., 1 dog, has made this book from newspaper ads ... "
1997 "Horses, deer" (with A. Reichstein). Voypaala, Finland
"Payva Prinsessan" ( "Princess for a day, together with A. Reichstein). Hyvankaa, Finland
Autobiographical notes

... Sentimental love for the old, surviving from the mind a piece of paper, photographs, small useless little thing. They seem so miserable and helpless, I want to do something for them (of them) - to gather together, lay down, to fit one to another ...
Although perhaps they are stronger than we think - in fact more than one generation owners, they have experienced. I gathered them into collages, a sculpture - both built ruins in the park once.
. You can read collages, . can relate to stationery papers, . invalid over time his dismal power, . as a calligraphic compositions - for completing the form on the hand has reached such freedom, . which in Chinese calligraphy is considered the top skill.,
. The texture of the paper, its color, rhythm, lines, handwritten or printing ...
. (this manuscript breaks off)
.
. Criticism
.
. His current occupation Vera Klebnikov designates as "sentimentalism"
. She works with ready material - from the archives of the deceased owners, . old newspapers, . stationery forms and accounts: that is, . with the disappearing and no longer necessary to trash, . which meets in collages and albums, . transferred to the lithographic or shelkografskuyu print - embedded in some new relationship,
. At the same time declared the inclusion of Non-violence - as if the material dictates the system, spread-eagled on the sheets or exposed to the release somebody's biography she remembers her intravital fashion and in accordance with it gets posthumous context.,
. Sure, . Such naturalness intentionally: slurred, . antikonstruktivnaya reality stranger archive (and others' lives) only acquires a new structural integrity necessary coordinates, "sentimental" perebiranie papers and old photographs seemingly as an afterthought, not only creates a rigid visual, . but verbal structure,
. Spatial "holes" in the archival compositions, . hanging over the brink mat "tails" in the newspaper collages, . almost clearly showing the reflection at the time, . also exacerbate the dynamics of the process of "reading", . perception of things; bureaucratic paper lithographic transfer suddenly find handwriting, . lyrical spontaneity,
. Huddled together in the cultural layer and putting it marks, . "living things" inevitably change the meaning aura, . but in this case, the pathos postmodenistskoy work with other people's text - in, . to make the change imperceptible: guess the rhythm, . not overload the box, . not disturb the equilibrium,
.

G. Elshevskaya


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