SHTERENERG David Davidovich( Artist)
Comments for SHTERENERG David Davidovich
Biography SHTERENERG David Davidovich
Born December 29, 1931 in Moscow.
Graduated from Moscow State Art Institute. VISurikova in 1958.
Collections where works
Works are in museums in cities Kargopol and Tiksi
Art fund of Russia
private collections in Russia, France, Austria, Japan and Denmark.
Participation in exhibitions and auctions
1984 Group Exhibition. Street. Vavilova 65, Moscow;
1990 Restructuring `Art Year 5. Gallery L `orangeraie, September Paul de Vence, France;
1991-93 Annual Exhibition Gallery "Art Nouveau". Moscow.
Born in a family of artists. Father Shterenberg David P. and his mother Mary Granavtseva Stepanovna were excellent painters (of them are in the collections of the State Tretyakov Gallery and the State Russian Museum).
. Upon graduation in 1958, over 20 years he worked on contracts in the publishing house "Children's Literature," where, basically, illustrated books for older
. In those years, it required a realistic spatial images. In 1967 he joined the Union of Artists of the USSR in the section graphics. In the same year he started to paint again and after a few years (in 1975) moved to the section of the painting, as well as participated in exhibitions of paintings has only. Started in painting was in the spirit of expressionism, as a response to withering my work in books for older children.
It was as if I broke free, but did not last long. While working for the most part continue to do for themselves "and" selfless ", tasks that I began to set, required for an intelligible presentation of aesthetic thought of another approach.
In parallel, several themes were. Among them are two major themes. One - the joining of two illusions: how to bump into real-dimensional art (paintings from the series of "Dummies", "Roof"). Another, which later became the main - the use of illusions in the same range of artistic means, materials, and color, line, plane, texture, paint layer. It all began with a series of "Street", where for me it was important to create a sense of presence. Work began to grow in size (up to 180h240) barely fit in my small workshop. Then, in the same subject were written three "military" film.
"The effect of presence" makes some demands. One of them - just the selected size of the picture, so the reproductions of these works are masked by the effect of several. Another necessary condition "coherent statement" (for me, of course) - to remove traces of the plane pattern. Smear a brush, "the gesture of the hand of the artist speaking about his temperament, but rather about himself, about his attitude to the event, was an obstacle to the very" clearly set forth '(the event - is not so much the plot, how many items, such as figure or the environment around it). Work on the painting now takes a very long time (2.4 pictures per year)
. Anisimov "This image is inseparable from you ...", journal" Literary Review ", N4, 1974;
. V. Meyland "human world", Journal of Culture and Life ", N11, 1984;
. Product Group exhibition Basyrova G., L. Berlin, K. Sapegina, D. Shterenberg
. Moscow. 1983;
Catalog of "Restructuring` Art Year 5, 1990, Gallery L `orangeraie, September Paul de Vence, France.