Umanets Andrew

M. Schepenko about Andrew Umantse: In the theater a long time ago. Favorite of colleagues and visitors. Gifted as an artist, as a writer, as a jack of all trades. Apart from the fact that he - the key cast repertoire, he zavpost, and, if necessary, welder, bricklayer, carpenter, plumber, plasterer, and Superintendent. He was one of the leaders of the current construction of our home theater:

I wonder: what quality is most characterizes the artist Umantsa? And the answer: the generosity of the heart. This generosity is manifested in all spheres of its activities and, above all, on the stage.

He loves the game, it is his element. But not all. The images created by them, always have what is called the core, the one who is invisibly present in the personality of the actor.

Fyodor in "Kone raven" - is Umanets, who took the mud and blood, which plagued his hero. But not only. This heartfelt sympathy and perishing spiritually and physically a man, and, eventually, sympathy to the Russian people, facing the threat of self-destruction.

Boris Godunov in "King Theodore" - an extremely serious work A. Umantsa. M. Schepenko says, . that he almost did not take part as a director in the creation of this image, . because Umanets had for myself all, . you need for an image as a result of many reflections, . depth study of historical materials and, . main, . a heart of understanding the contradictory nature of his hero,
. He does not judge Godunov, he understands and forgives him. Way of Boris, his offense in the treatment of Umantsa preordained: not dodge! and the more prolonged site of the tragedy, the sharper and irresolvable conflict Theodore owned by Sky and Godunov-owned land.

Kochkarev A. Umantsa - clot frenzied energy, . Motor Performance, . fireworks devices and finds, . charm and vague idea, . that there is morality: And all this for, . to suddenly surprised and suddenly the image of the desire to understand the meaning of all these rich conflict action, . from the heart to ask: "From what I fuss?",

. Andrew created a gallery of images
. He is in love with specificity and for as long as not acquire complex external manifestations of the hero, he was almost helpless - but there comes a time when the characteristic appears, is organic, and then: if there is ravishing artistic freedom.

. He needs to hide behind a way to hide, to identify
. I think that such a gift and so did not have one of our artists. Yes, it so happened that the theater "Chamber scene" and Umanets become something nerazedinennym, when the first without the second unthinkable: