Kerzelli Nina Yu

1962 born in Moscow
. 1986 graduated from Moscow Institute of Architecture (Faculty of History and Theory of Architecture)
.
. Collections where works
.
. Regina Gallery, Moscow
. Wittrock Wolfgang, Dusseldorf, Germany
. E. Platzgummer, Vienna, Austria
. L. Krisper, Vienna, Austria
. Participation in exhibitions and auctions
. SOLO EXHIBITIONS

. 1992 "Mona Nina"
. Regina Gallery, Moscow

GROUP EXHIBITIONS

1988-95, together with D. Vrubel, A. and D. Djikia Shirokov. Gallery Wrubel, Moscow
1988 "Eidos". Youth Palace, Moscow
"Myths and Reality. Youth Palace, Moscow
1989 "Outside the genre". Youth Palace, Moscow
"Interart-89". Poznan, Poland
"Nuova Realta". Pinacoteca Communale Loggetta Lombardesca, Ravenna, Italy
A. Djikia. D. Vrubel. N. Kerzelli ". The editorial board of "Decorative Arts of the USSR, Moscow
"Erotic Exhibition". Kashirka, Moscow
1990 "wives". Kashirka, Moscow
"Perestroika". Exhibition of Soviet Art. Buenos Aires, Argentina
"Traditions of Russian Painting". Museum of History and Reconstruction of Moscow, Moscow
"Art Messe". Hamburg, Germany
1991 "Art-Expo'91". Tokyo, Japan
"Art-Fair". Gallery Camage, Stockholm, Sweden
"N. Kerzelli. A. Djikia. D. Vrubel ". Kashirka, Moscow
1993 "Adresse provisoire pour l'art contemporain russe". Musee de la Poste, Paris, France
1994 XXV exhibition Kvartarta ". Gallery Wrubel, Moscow "New Project". Regina Gallery, Moscow
1995 "Kvartart for export". Gallery Lomo Depot, Vienna, Austria
. Criticism
.
. Monologue, . speech from a first-person confession or c openly - something old-fashioned risky lurks in such a setting theme, . claimed in a ubiquitous environment profanities, . travestiynosti and sensitive simulacrum, . densely infested area in today's art of the day,
. And yet, there. Own face in the arts all are expressed, . materializing into something seductive impeccable handsome Mount Chahal, . then in mono-drawings by Sergei Mironenko, . then grinning grimaces Dmitry Vrubel, . konvulsiruyuschih about only his own fate,
. Maybe it's bacillus progressive narcissism or software vnekontekstualnost, arrogantly opposing the long-running in our art Political ekzersisamN No. Most other - the desire to know for absolute statements, possible only on the court's own self.
. Nina Kerzelli stands on such a mono-bridgehead, not restricted to a small loop of traditional self-portrait, but sprawling in the pervasive myth-making on behalf of his "I"
. All the paintings on its own - or rather about the sense of being in space "overturned" and reality has taken on the living flesh of "fantasy": the literary and historical, naive and intellectually sophisticated, private and universal unconditional. More precisely, we perceive as "fantasy" and is its protivorassudochnoe "Life," where fact and fiction, fetish and dreams, and we know the imaginary merge into a single mono-alloy. But the situation is any "mono" is always preparing a web of temptation - confessional, vulgar frankness and other disruptions to unequivocally enshrined in our post-modern time, distance. "Mono Nina" immune to these disruptions dual system of insurance. First, . its "mono" - is also a mono-hromnost - predominance bleached scale negatives, . unmistakably restraint not only stylish plastic, . but decolourant desired degree of inaccessibility of the quasi-nude, . but then the hidden "I",
. Secondly, of course, the indefatigable Oleg Kulik and his exposition project "Manege" make that very easy to play, and which protects against excessive immediacy and anguish. Beautiful Nina and her daughter live in a universe arranged for them that emanates from the paintings, and the fundamental components of the mono-peace. Some would say - "banal", but someone - "secondary". The main thing - the artist once again gets difficult, conflicting chance to show not only myself, but energetic gesture to himself, overcome.

O. Kholmogorova. "Nina in the hypostasis mono". Catalog of the exhibition "Mona Nina". Regina Gallery, Moscow, 1992