Ponomarev Svyatoslav( Artist)
Comments for Ponomarev Svyatoslav
Biography Ponomarev Svyatoslav
1949 born in Moscow . 1972 Graduated from the Moscow Oil Institute . 1975 graduated from the Moscow jazz studio . since 1990 member of the International Federation of Artists (IFA) . . Collections where works . . Duke University Museum of Art, Durham, USA . . Participation in exhibitions and auctions . . SOLO EXHIBITIONS . 1991 "Projective ritual space" . Painter's Studio B. Molchanovka, Moscow 1992 "Internal security. Experience Environnement. Gallery Kuntsevo, Moscow 1992 "Showcase. Street. Passers ". Exhibition Hall "Creativity", Moscow 1995 "Golden Brush". Central House of Artists, Moscow 1995 "New Technologies in Art" (seminar). Pereslavl-Zaleski 1995 "Configura 2. Dialog Der Kulturen ". Erfurt, Germany 1995 "Anthology" (with M. Roshnyakom). Contemporary Art Center, Moscow 1995 "The Spirit and soil-2". Kashirka, Moscow 1995 "Art Reality". Manege, St. Petersburg 1995 "Four Winds in the direction of paganism". Gallery Kuntsevo, Moscow 1995 "Crusade". Gallery "Expo-88", Moscow 1995 "Extremism and erotica". Limonov Gallery, Moscow 1996 "Comments - 10". European Cultural Club "Inside" (with F. Infante). Gallery "Cinema", Moscow 1996 "Christmas Exhibition". Gallery "Cinema", Moscow 1997 "Credo". Russia's Culture Fund, Moscow 1997 "Oriental motifs". Gallery "Cinema", Moscow 1997 "Bleeding spring, or Dzhauss!". M., 28, Moscow
. SHARES AND PERFORMANCES
. 1996 "Manhattan Express" (with M. Roshnyakom and A. Tegin), Moscow . 1996 In the framework of the festival of contemporary music "alternative" to Moscow . 1996 "soundscapes" (in "Summer") of . Central House of Artists, Moscow 1996 "Moscow - St. Petersburg - the noise scene. In memory of Sergei Kuryokhin ". Central House of Artists, Moscow 1997 "Performance" (with M. Roshnyakom). Gallery Expo-88 ", Moscow 1997 "Purba - creation of a mandala under the influence of gravity and sound," Club "Yamskoe field", Moscow 1997 Performance at the opening of the club "Cruiser", Moscow from 1994 to present the project "Purba" (with A. Tegin). Marsh Sq., 6, Moscow . Criticism . . Experience in modeling a kind of ritual space created through in-studio crew housing structure effects, . mainstreamed in themselves and Environnement, . Setup and installation, . and carefully directed by a musical performance - all this we find in S. Ponomareva, . Two types of its activities: on the one hand, . rethinking of the experience of painting, . where radical reinterpretiruetsya tradition of hyper-and photo-realism by shifting focus of the photographic image on a discrete raster zooms puncticity, . contemplation of which assumes the character of meditative scrutinizing in primary elements of life, . language arts, and on the other hand - his own experience "neoshamanskogo" performance, . - These two areas is basically talking about one, . concentrate holistic mythological world, . His archaeological foundation is mysterial arsenal of Ancient Egypt, theosophical symbolism, sacred burial grounds and the "Book of the Dead". This documentary arheologichnoe asset in the hands of the artist's ability to acquire multiple incarnations: a recognizable landmark sacred topography and topology of Egypt mifologiziruemogo equally comes out and scatter through the veil of man-made simulated brush fotorastra, . and through visual plans for its installations, . and articulated through the noise of his musical "ritual", .
S. Kuskov, N. Brilling. From the catalog of the exhibition "Moscow romanticism". Central House of Artists, Moscow, 1992
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