REZALIN Alexander

Alexander Rezalin-Honored Artist of Russia

Alexander says about himself:

"I was born in Moscow. We lived on the streets of Bogdan Khmelnitsky - now it is called Maroseyka. One of my first childhood memories - a demonstration that go past our windows. Papa and Mama - Engineers:

... I did not go into any initiative - he studied at the British school, then joined the Mathematics Class. And there we had a very good teacher of literature who played in the evening. In 9 th grade, at an evening dedicated to Chekhov, read from the scene of his letter, and suddenly felt some of his irony: Apparently, it sounded because I was praised. And some sweet poison of success sunk into the soul: Even though I went to Engineering, . from the second course began to search some of its theatrical use - went to the national theater reader, . tried to enter the theater school and three years later the contest was held simultaneously in Moscow Art Theater and GITIS,
. But only year worked as an engineer after MIIT, finally entered the Moscow Art Theater School at the rate A. Popova ...

... In the "Satyricon" I, along with three classmates took the bones Raikin. I made to show a clip, but it is not for that I took, but because I portrayed all sorts of objects and animals. We even filmed in the transfer of "Jolly Fellows".

In the "Satyricon" I worked for 4 years, danced - then was strip dance performances. Then Grisha Gurvich invited me to "Die Fledermaus", where everything was clear, easily. They first began to sing - an orchestra, with a microphone. Grisha made room, where I sang the French chanson, a sort of sweet Italian song, and nothing less - Sinatra!

. Jobs at the Bat "was a one of the incarnation, which in principle I am very easy to give and would like a more serious theatrical roles
. And the last 3 years combined work there with the work of the Theater of the Moon ...

... It easy to be an actor? That's like asking, how easy is it to live in this world. I'm at it I can not answer. Sometimes it is easy and pleasant, sometimes not. But nobody else I was not, except for one year of work as an engineer, so do not compare particularly with what. But I myself do not feel very much a man of artistic environment. I do not like it when artists are artists in life, I think it's bad form. I was brought up by such teachers, as, for example, AA. Popov, who in life had been very discreet man, and my ideal - an artist who, after the performance is not noticeable in the crowd ... "