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Bordachev Sergey

( Artist)

Comments for Bordachev Sergey
Biography Bordachev Sergey
1948 born in Moscow
. 1964 graduated from vocational school (specialty - car mechanician)
. Since 1968 he worked in VHPO, combine decorative decorative art
. since 1976 member of the Municipal Committee of graphs, a constant participant of exhibitions in the group "21"
. since 1990 member of the International Federation of Artists (IFA)
. 1993 president of the Club of abstract improvisation at the Union of Musicians
. Collections where works
. The State Tretyakov Gallery, Moscow
. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. Gallery M `ARS, Moscow
. Company "Carat", Moscow
. Nancy and Norton Dodge collection, Zimmerly Art Museum, Rutgers University, New Brunswick, New Jersey, USA
. L. Talochkin, E. Nutovich, T. Kolodzei, A
. and Rusanov, Moscow
G. Kostaki, Athens, Greece
Dzh.S.Ford, USA
K. Shrammayer, R. Singer, Germany
V. Sychev, A. Glezer, Paris, France
Participation in exhibitions and auctions

1988 "Sergej Bordatsiov. Worken op papier ". Gallery Brinkman, Amsterdam, Netherlands
1989 "Painting, graphics, objects,. Youth Palace, Moscow
1993 "Paintings, graphics, objects,. Gallery M `ARS, Moscow
1996 "C. Bordachev. Paintings, graphics, objects,. Profsoyuznaya 100, Moscow
1997 Gallery Nikor ". VDNKh, Moscow


1979 Group Exhibition. Urban Exhibition Hall, Kolomna
1989 "Exhibition of unfinished work". Workshop Zvezdochetova K.. Furmanniy Lane., Moscow
1989 "Furmanny zaulek". Dawne Zaklady Norblina, Warsaw, Poland
1990 "Towards the Object". Kashirka, Moscow
1990 "Naar het object". Stedelijk Museum, Amsterdam, Netherlands
1990-91 Other Art. Moscow 1956-1976 ". Gallery Moscow Collection. State Tretyakov Gallery, Moscow; RM, Leningrad
1991 "Search of abstraction". Profsoyuznaya 100, Moscow
1991 "Contemporary Artists - Malevich. State Tretyakov Gallery, Moscow
1991 "Small Georgian, 28". Manege, Moscow
1992 "Moscow Romanticism". Central House of Artists, Moscow
1993 "signs and symbols". Club abstract improvisation. Central Architects, Moscow
1994 "20 years Bulldozer Exhibition". Gallery Belyayevo ", Moscow
1994 "signs and symbols". Club abstract improvisation. Central Architects, Moscow
1995 "Myth and Archaic" (Painting Exhibition). Club abstract improvisation Gallery Belyayevo ", Moscow
1995 "Kunst im verborgenen. Nonkonformisten Russland 1957-1995 ". Collection of Contemporary Art Museum Tsaritsino ". Wilchelm-Hack Museum, Ludwigshafen am Rhein; Documenta-Halle, Kassel; Staatliches Lindenau Museum, Altenburg, Germany 1996 "Art of Russia in the late XX century. Realities and Perspectives ". Central House of Artists, Moscow
1996 "Glezer Collection at the Museum of Private Collections". Pushkin Museum of. Pushkin, Moscow
1997 "The World Collector. View contemporary "(from the collection of EM. Nutovich). Museum of Private Collections, Moscow
1997 "Russian Art in the 15 biographies" (from the collection of the Museum of Modern Art Tsaritsino). Mucharnok, Budapest, Hungary


Around the mid 60-ies in a number of independent artists on the rise of interest in the tradition of geometric abstraction with elements of collage and free spatial manipulation. Bright representative of a new wave of artistic experiment, using both traditional geometric and expressive pictorial abstraction - Sergei Bordachev.
. Only for surface perception of neo-abstract S. Bordachev may look like napravlencheskim adherence to the principles of "geometry" of Russian Suprematism or group "Style" ( "De Steil)
. Continuity of traditions of these schools is evident mainly at the level of the "dictionary" of artistic forms, ie. certain codes morphogenesis. Even in those cases, . where we face like resumes artificially interrupted in Russia at the turn of the 20-30-ies the tradition of abstract formotvorchestva, . in C. Bordachev, . With all due respect to such figures, . as K. Malevich and Vladimir Tatlin, . not feel the author's idea of purity zagipnotizirovannost monostilya, . no categorical samounikalizatsii method, . which was inherent prpogrammnym of the leaders of the avant-garde of the past,
. Conversely, there are branches and waste from the progressive development of Suprematism, ascetic minimalism "Black Square" as the absolute nothingness of rest "(K. Malevich). In geometrizme S. Bordachev, . his way formoprostranstvennyh manipulation, . significantly improve the game started: assertion easily side by side with irony, . formulation of the problem - with the use of multilingualism quotational avant-garde legacy and liberated copyright conduct in relation to the tradition,
. In collage and meaningful compositions S. Bordachev feel the spirit of mystery and surprise, is latent in the usual shell items items. These are objects long out-of any use, unsightly, alienated philistine's value outlook, stale pieces of life, which the artist vlyuchaet the system completely new relationships. Objectivity here - much more than the material effect collage texture. Such an approach Bordachev to material things and deeply neshoden with the ethics of constructivism and functionalism 1920. This harping and picking up pieces of real close to aesthetization waste in K. Schwitters, but could hardly evoke sympathy from leaders "UNOVIS" or "Lef.
. The new abstraction C. Bordachev have higher levels compared with the radical vanguard of the West traditionalism expressive means
. This is usually a rectangular pattern with preservation of the plane-base, using mostly traditional materials. Collages and assemblages are specific range of works by S. Bordachev, many abstractions he clearly avoids any substantive associations
. A rectangular space is conceived as a zone of unlimited freedom of manipulation with form, texture and light, which is allowed to administer the impossible, to combine the seemingly incompatible givens.
. As a result, there - a new plastic intrigue and the effect of surprise, strangeness, which is a kind of rule of the game, causing the process of daring alerting friends to the history of art of the twentieth century formostrktur.
. Such polistilistika, however, does not lead to elektizmu through plastic acumen of the author
. The intrigue is carried out through some absurdizatsiyu established ties. Guesses and offer search - becoming, perhaps, more important than the picture perfect art object. U S. Bordachev dominates serial principle of operation - some original songs complement each other and simultaneously contrasted with each other. Seriality gives a chance to perceive the actual course of performing the process and reflect on ways of varying some single formal themes. Spatial and object constructs S. Bordachev nepriruchaemy fukntsionalnoy programmatikoy design, they stressed non-service.

S. Kuskov New abstraction in the context of Sergei Bordachev "(reductions). Catalog of the exhibition "Painting, graphics, objects,. Moscow, 1989

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