Dubosarskiy Vladimir E.

1964 born in Moscow
1980-84 studied at the Moscow Art School memory of 1905
1988-91 studied at MGHI im.Supikova
1994 member of the Moscow Artists
1994 works in conjunction with A. Vinogradov
.
. Collections where works
.
. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. The State Russian Museum, St. Petersburg
. Museum of Contemporary Art, Avignon, France
. Duke University Museum of Art, Durham, USA
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS
. 1991 "Skulptupa"
. Tryokhprudny Gallery., Moscow
1992 "Dekopativnoe Art. Tryokhprudny Gallery., Moscow
"Tomsk". Tryokhprudny Gallery., Moscow
"The Forgotten fotogpafii". Tryokhprudny Gallery., Moscow
"Skulptupa and Painting" (with V. Koshlyakov). Pepesvetov per., Moscow
1993 "Ofopt and kepamika". Tryokhprudny Gallery., Moscow
"Painting and Sculpture" (with V. Koshlyakov). GRM, Marble Palace. St.Petersburg
1994 "Picasso in Moscow" (with A. Vinogradov). Studio 20 Gallery, Moscow
"Dark Paths" (with V. Koshlyakov). Yakut Gallery, Moscow
1995 "Artists Against Sex" (with A. Vinogradov). Night club "Manhattan Express", Moscow
"Pictures at an order" (with A. Vinogradov). L-Gallery, Moscow
1995 "Painting for the Reichstag" (with A. Vinogradov). Hilgemann Gallery, Berlin
1996 "Celebration" (with A. Vinogradov). Gallery M. Gelman, Moscow
"Russian Literature" (with A. Vinogradov). Gallery M. Gelman, Moscow
"Bluhende Landschaften" (with A. Vinogradov). Galerie Kai Hilgemann, Berlin, Germany
Project for the Russian magazine "Playboy" (with A. Vinogradov). Gallery "Moscow Fine Art", Moscow
1997 "Emtedankfest" (with A. Vinogradov). Atelier Ester Freund, Vienna. Austria
"Austrian and Russian Literature" (with A. Vinogradov). Vienna, Austria
"Etudes" (with A. Vinogradov). L Gallery, Moscow
1998 "PS" (with A. Vinogradov). Gallery M. Gelman, Moscow

GROUP EXHIBITIONS

1987 Autumn Exhibition curves of. Moscow Artists, Moscow
1989 "Outside zhanpa". Palase Youth, Moscow
1990 XIX Youth Exhibition. Artist's House at Kuznetsky Most, Moscow
"For kultupny rest". "Kashipka", Moscow
"Before and after". Palase Youth, Moscow
1991 "Monohpom - I". Architects, Izhevsk
"In Saturday vechep". The former Lenin Museum, Lviv
"Papadny Portrait of the Transitional Period". п?п°п?п?pп?я? "A 3", Moscow
"Mother-to-space. Propeller Gallery. 100 Profsoyuznaya St., Moscow
"Form and sodepzhanie". Tryokhprudny Gallery., Moscow
1992 "Problems of Art". L Gallery, Moscow
"Battle and idyll". Velta Gallery, Moscow
"Landscape". п?п°п?п?pп?я? "A 3", Moscow
"Intepep". Tryokhprudny Gallery., Moscow
"Still leven". Velta Gallery, Moscow
"Clarification of relationship with opuzhiya". Tryokhprudny Gallery., Moscow
"For abstpaktsionizm". Tryokhprudny Gallery., Moscow
"Gumanitapnaya Aid. Tryokhprudny Gallery., Moscow; ICA, London
"Left foot". Gallery in Tryokhprudny Lane., Moscow
1993 Monuments: Transformation for the Future ", ICA, New York, ICI, Moscow Central House of Artists, Moscow;
"Modest disciples of the great masters". Gallery in Tryokhprudny Lane., Moscow
"Shop". Shop "Constantine". Olympic Complex, Moscow
"ART MIF 3". Yakut Gallery. Manege, Moscow
"Ideal City". National Museum, Singapore
"Exchange / Exchange". Moscow
1994 "Fluchtpunkt Moskau". Ludwig Forum, Aachen, Germany
"Moscow Artists: a new look". Artist's House at Kuznetsky Most, Moscow
"May Fair". Kuznetsk Bridge, 20, Moscow
"Fine - mon amour". Contemporary Art Center, Moscow
Cetinjski Bienale II. Cetinje, Montenegro
"Exchange II / Datsja" (Sharing II / Cottage). Almere, Flevopolder, Netherlands
1995 "Russian Beauty". Contemporary Art Center, Moscow
"Kunst im verborgenen. Nonkonformisten Russland 1957-1995 ". Collection of the Museum of Contemporary Art Tsaritsino.
. Wilhelm-Hack Museum, Ludwigshafen am Rhein; Documenta-Halle, Kassel; Staatliches Lindenau Museum, Altenburg, Germany
. "Fine - mon amour", Copenhagen Contemporary Art Center "Nikolaj"
. Copenhagen, Denmark
"Walking over the horizon". Profsoyuznaya 100, Moscow
"Zeitgenossisя?he Kunst aus Russland". Daimler-Benz Aerospace, Munich, Germany
"Interregnum". Kunsthalle Nurnberg, Nurnberg, Germany
1997Mezhdunarodnaya Art Fair "Art Manege", NCCA, ( "Artoteka). Manege, Moscow (catalog)

GROUP SHOWS (with A. Vinogradov)

1995 "On the house". Profsoyuznaya 100, Moscow
"Animation" (from the collection of the Museum of Modern Art Tsaritsino). Kashirka, Moscow
1996 Moscow Forum of Art Initiatives ( "The Aesthetic Relations of Art to Reality"). New Manege, Moscow
International art fair ART-MOSCOW, L Gallery. Central House of Artists, Moscow
International Art Fair "Art Manege", Gallery "Moscow Fine Art". Manege, Moscow
1997 "Division of the latest trends - the first five years". SRM, St. Petersburg
International Art Fair "Art Manege", NCCA. Manege, Moscow (catalog)
"History in Faces" (from the collection of the Museum of Modern Art Tsaritsino). Samara, Perm, Novosibirsk, Yekaterinburg (catalog)
"Verbal number in modern Russian art". Russian Cultural Center in Budapest, Hungary
"It` sa better world ". Museum Secession, Austria, Vienna; Art Forum Gallery, Merano, Italy (catalog) International Art Fair Art Moscow, Gallery M. Gelman. Central House of Artists, Moscow (catalog)
Moscow - Urjupinsk. To Russia with love ". Uryupinsk museum Moscow Forum of Art Initiatives. New Manege, Moscow (catalog)
Third Biennial of Contemporary Art. Cetinje, Montenegro
1998 International art fair ART-MOSCOW, Gallery M. Gelman. New Manege, Moscow

SHARES AND PERFORMANCES

1992 "All Moscow" (together with A. Ter-Oganyanom and A. Gormatyukom). Gallery in Tryokhprudny Lane., Moscow
"Futurists Exposure Kuzneckij". Kuznetsk bridge, Moscow
1993 "Opening of the monument," the draft Exchange (Exchange). Moscow
Pushkin with us ". Festival of Contemporary Art, Tsarskoe Selo

CURATOR OF EXHIBITIONS

1992 "Interiors". Gallery in Tryokhprudny Lane., Moscow
1995 "Russian Beauty" (with A. Vinogradov). Contemporary Art Center, Moscow

Criticism

In practice, L-Exhibition Galleries, we do not often have to deal with traditional figurative painting. and if such a painting and has appeared, either as part of the installation (Elagina-Makarevich "Within the beautiful"; S. Albert "Mom, look, the artist"), or as an element of an artificial context (Prigov, Rubinstein, Sorokin, "The fate of the text - 1"), or it was an imitation of genre painting (D. Filippov, Moscow habit "; In. Skersis "Irrelevant"). Such disregard for the traditional academic methods was quite natural because of persistence of antipathy to the official art of the Soviet era. The maximum distance from the picturesque is a sign of the greatest relevance. This way, and today is quite promising, but it is obvious that not many artists have the ability to develop postkontseptualnuyu tradition, without losing the essence of the directions and not profaniruya it. As a result of numerous attempts to emulate the aesthetics of non-art 70 - 80-ies today's Moscow art is very eclectic, cobwebbed now. Desire most radical youth to break this web does not go beyond a single desk - to seek a new space outside the art in modern ethical issues. This method is not effective enough. Therefore such unexpected and bold look at the general background of the A. Vinogradov and in. Dubosarsky.
Artists believe that the territory of art left, but she just the most interesting today, when all members of the artistic process trying to get in reality, almost no structuring of. And the art - it's still something artificial, it is structured.
First disregard "artistic" making art "artificial" in relation to traditional art. Now obviously you can recognize the artificial language of painting in relation to everything around. The authors presented the exhibition does not believe that all modern artists should do a traditional painting, but they are trying to make art a status equal to other language in the space of contemporary art.
. Regarding the concept of the exhibition "Pictures at an order", it is partly a joke, but a joke in a very serious and objective subject
. She imitates the old situation, when there was a social order for the art, as these pictures mimic the attempt to create a grand style. This nostalgia for the public status of art today does indeed exist, and most of all in terms of a new generation of artists. And it's not upsetting.
Romanova. The text for the exhibition "Pictures at an order". L-Gallery, Moscow, 1995