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Koshlyakov Valeriy

( Artist)

Comments for Koshlyakov Valeriy
Biography Koshlyakov Valeriy
In 1962 was born in the Rostov region Salsk. 1979, 1983-88 studied at the Rostov Art College im.Gpekova
. From 1986-89 pabotal Teatpe artist in the musical comedy in Rostov-na-Donu.
. Since 1987 member tovapischestva Art or smept "
. Collections where works
. Ministry of Culture of Russia, Moscow
. Collection of Contemporary Art State Museum Tsaritsino, Moscow
. State Museum of Architecture
. Schuseva, Moscow
. The State Russian Museum, St. Petersburg
. Firm "Idigov-product", Moscow
. Bank "Muscovy", Moscow
. Bank Inkombank, Moscow
. Bank Capital ", Moscow
. Bank Rinaco, Moscow
. Rostov Regional Museum of Fine Arts, Rostov-na-Donu
. Odessa Museum of Contemporary Art, Odessa
. Museum of Contemporary Art, Avignon, France P. Sprovieri, Rome, Italy
. Participation in exhibitions and auctions

. 1991 "Night in Venice"
. Gallery M. Gelman, Moscow
"Under the sky of Italy". Sakala Palace, Tallinn; Palase Youth, Moscow
1992 "Parthenon". Tryokhprudny Gallery., Moscow Youth Palace, Moscow
"Sculpture and Painting" (with V. Dubosarsky). Peresvetov Lane., Moscow
The program "Duets" (with V. Brainin). Dominus Gallery. MARCHI Moscow
1993 "Painting and Sculpture" (with Dubosarsky). GRM, Marble Palace, St. Petersburg
"Actors come to the city". Project under the Russo-Dutch project Exchange-Exchange-I. Moscow
1994 "Dark Paths" (with V. Dubosarsky). Yakut Gallery, Moscow
"The long-term architecture". Architectural Gallery, Moscow
1995 "Fonte Latino". Bischoff Gallery, Stuttgart, Germany "Fuocoso" (jointly with S. Shabelnikova). Gallery M. Gelman, Moscow
1996 "Polyhymnia". (action: painting stone walls at a construction site). Stuttgart, Germany
"Polyhymnia". Gallery M. Gelman, Moscow
Exhibition of architectural projects. Gallery V. Nechitailo, g.Salsk
"Koshlyakov". Gallery Michael Schultz, Berlin, Germany
1997 "The Place of residence". Russian Cultural Center, Geneva, Switzerland
"Koshlyakov". University of San Jose, California, USA
Album Traveler. Waskowiak Bischoff Gallery, Berlin, Germany


1988 "Bugbear". Exhibition Hall of Artists Union, Rostov-na-Donu
"Ppovintsialny Avantgarde". Koopepativny toilet "Ppogpess, Rostov-na-Donu
1989 "Italy is a boot shape,". Exhibition Hall of Artists Union, Rostov-na-Donu
"The exhibition, which is free is because everything is very bad". Hotel "Youth", Moscow
1990 "great magician of Painting. Peresvetov Lane., Moscow
"In anticipation of rest". Cultural Center, Petpovskih Lines, Moscow
"For kultupny rest". "Kashipka", Moscow
Diplomatic Academy, Moscow
1991 "Agasfep". Palase Youth, Moscow
Presentation of the Center for Contemporary Art. Gallery M. Gelman, Moscow
Arts Festival. 369 Gallery, Edinburgh, Scotland
"The sea of vodka". Gallery in Tpehppudnom per., Moscow
"Aesthetic Experiences". Kuskovo Museum, Moscow
"Hovechento". L Gallery. Central House of Artists, Moscow
"ART MIF 2". Manege, Moscow
"Papadny Portrait of the Transitional Period". п?п¦п¦п¦pп¦я¦ "A 3", Moscow
"Mother-to-space. Propeller Gallery, 100 Profsoyuznaya St., Moscow
1992 "Problems of Art". L Gallery, Moscow
"Valepy Koshlyakov, Vladimir Dubosarsky". Peresvetov Lane., Moscow
"Still leven". Velta Gallery, Moscow
1993 "VII Congress of People's Deputies is dedicated". Gallery M. Gelman. Central House of Artists, Moscow
"Exchange / Exchange, Moscow
"Nostalgia". American Trade Center, Moscow
1994 Cetinjski Bienale II. Cetinje, Montenegro
"The border zone of Art. Festival of Contemporary Art. Art Museum, Sochi
"Exchange II / Datsja" (Sharing II / Cottage). Almere, Flevopolder, Netherlands
1995 "Kunst im verborgenen. Nonkonformisten Russland 1957-1995 ". Collection of Contemporary Art Museum Tsaritsino ". Wilhelm-Hack Museum, Ludwigshafen am Rhein; Documenta-Halle, Kassel; Staatliches Lindenau Museum, Altenburg, Germany
"Art of Dying". Yakut Gallery. Manege, Moscow
"Walking over the horizon". Profsoyuznaya 100, Moscow
"New Russian Art: Paintings from the Christian Keesee Collection". City Art Center, Oklahoma City, USA
"Charity Auction for Burn Center at Children's Hospital, N9.
Contemporary Russian paintings and drawings ". Sotheby's, "ART MIF. Hotel Metropol, Moscow
"Zeitgenossisя¦he Kunst aus Russland". Daimler-Benz Aerospace, Munich, Germany
"5 years Marat Gelman Gallery". Artist's House at Kuznetsky Most, Moscow
1995 "On the house". Profsoyuznaya 100, Moscow
"Animation" (from the collection of the Museum of Modern Art Tsaritsino). Kashirka, Moscow
1996 "Landscape Architecture" (The Russia Irish Exchange). Limerick City Gallery of Art, Limerick, Ireland
1997 Third Biennial of Contemporary Art. Cetinje, Montenegro
International Art Fair "Art Manege", NCCA (Artoteka). Manege, Moscow (catalog)
1998 "Operation Photo" (with V. Efimov, V. Kupriyanov, I. Piganovym, H. Chahal). Manege, Moscow
. History of Historicism "(with Aidan, . V. Brainin, . O. Bulgakova, . I. Golicina, . K. Danelia, . E. Kornilova, . I. Korsakova, . Kulik, . I. Makarevich, . S. Maksyutina, . A. Medvedev, . B. Mikhailov, . Novikova, . B. Orloff, . A. Sitnikov, . A. Slepyshevym, . Smirnov, . Tsereteli, . E. Yashin),
. AOSIS, Moscow

. Criticism
. In painting Koshlyakov primarily engaged genre going, this monumental images of beautiful architectural monuments, infinitely far from the Russian reality: Venice, Rome, Alhambra, always performed at the former used cardboard
. In 1991-1993. V. Koshlyakov a member of the artistic Tryokhprudny Lane, Moscow. However, in this environment, his work was somewhat apart, as the atmosphere of parody and profanation of principles alien. Throughout the existence of the Tryokhprudny Gallery and after painting style Koshlyakov hardly changed, becoming only more meaningful, more variant. Instead known only from photographs of the exotic added architectural silhouettes of Moscow embankments and squares, monuments of the epoch of the Great Patriotic War in Salsk, and architectural designs for Sal steppes. However, the main form of presentation: always ruinirovannom form, in light sketchy manner, his dream seems to exist before the material on which they appear. It seems that cardboard - the first thing at hand, random surface on which to project a dream. Above the creation of this impression the artist is working very well, eroding, destroying the image to the stage of recognition.
. Koshlyakov is not this or that monument, but the culture itself, or, more precisely, the cultural consciousness, which inhabit the vision: Night in Venice, Peacocks in the courtyard of the Alhambra, The Fountains of Rome
. Therefore, one of the most compelling of his works is the joint s. Dubosarsky exhibition-installation "Painting and Sculpture", the image of Moscow - a wonderful utopian city, as it was in the minds of the architects of the Stalinist era.

From the catalog "Kunst im Verborgenen. Nonkonformisten Russland. 1957-1995 "

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