Mohorev Eugene( Photographer)
Comments for Mohorev Eugene
Biography Mohorev Eugene
Born in 1967 in Leningrad.
At 8 years old the first time, picked up a camera and since then has participated in numerous exhibitions of children's creativity.
Since 1986, became a professional photographer to work at the state enterprise.
In 1988, joined the famous photoclub 'Mirror'.
In 1993 he received the prize 'Breakthrough of the Year' at the First All-Russia Photofestival. Member of the Artists' Union and the Union of Photo Artists of Russia.
From 1988 to 1997 - member of more than 40 exhibitions in the country and abroad.
Lives and works in St. Petersburg.
Eugene Mohorev - Petersburger. For a man of culture 'Petersburgian' - not just mark the place of birth or residence. This, above all, belonging to a cultural tradition established by three hundred years ago simultaneously with the stones of the city and just like those stones, continued in spite of all historical collisions. Petersburg has always been Russian Janus. Proud and cold aristocrat, keeping lofty dignity, opened for the beauty of the facades of its palaces and straightforward harmonies of their prospectuses another person, the person little person. Political and artistic genius of the country have created a theater of imperial grandeur, on the stage whom fate and history put little tragedies of the common man. Petersburg - the city, the city museum - as befits a museum, called in the past. His art is full of reflection, awareness of the immutable cycle of life. Infinitude of the past as the present becomes the aesthetic ideal neoakademizma; philosophy of death as an emanation of life seek for nekrorealizm; allegorical fresco on the earthly vale man directs photographer Eugene Mohorev. His characters do not fill the ceremonial atriums Petersburg's palaces and museums. The habitat of these dolls teenagers, among them children and the life of games determined to be tight-fisted and brutal. This is the first circle of the spiral of their life's journey, which covers the time does not conceal its naked helplessness before the game indifferent fate, but closer to adulthood, only the term accomplishments destined. Children, the human eye dolls are strained and trusting, suspicious and dreamy, their eyes are closed-minded. They imagine Bronze Horseman.