AMP-ZHOANS Teresa

In 1968 she graduated from the State College of arts and crafts in Paris.
. Holds a bachelor's degree.
. From 1968 to 1971 he worked as a painter of tapestry at the State Gobelin manufactory in Paris.
. Worked together and for Polyakov, Leger, Masson, Zhao Wookey.
. She taught at the School of Bull in Paris.
. In 1977 she was awarded the Prize for contemporary art in Cergy Pontoise, France.

.
. Collections where works
.
. Works are in the National Fund for Contemporary Art in Paris, the National Center for M
. Pompidou in Paris, the Art Center BANJA LUKA, Yugoslavia
Participation in exhibitions and auctions

EXHIBITION HELD IN GALLERIES

1973 Tribute to Alfred Jarry. Gallery of the Sun in the head ". Paris;
1974 Great women - small format. Gallery IRIS CLAIR. Paris;
1975 Biennale Gallery IRIS CLAIR. Paris;
1975 Maitre ALBERT gallery. Paris;
1978 Personal exhibition. Ilan gallery. Paris;
1979.1981 Arts and books about artists. Paris;
1980 Personal exhibition. Gallery Association KATIA PISSARRO. Paris;
1983 "Lieu dit" gallery;
1983 1 Festival of Performance. JJDONGUY gallery. Paris;
1992 Museum of Miniatures. Pixi gallery. Paris;
1994 Workshop of memories. Personal exhibition. Hospital Korenten Selton. Issy-les-Moulineaux. France.

French and foreign SHOWS

1972.73 November in Vitry. France;
1973-77 Today's great and young. Paris;
1974-77 FIAK. Paris;
1975 Confrontation. 1-I show. American Center. Paris;
1975 Group Dialogue. UNESCO. Paris;
1975 8 th Festival of Books. Nice. France;
Box 1976. Museum of Modern Art. Paris;
1975 KUNSTVEREIN. Munich. Germany;
1976.77 Realit Nouvel. Paris. France;
1977 winner on contemporary art. Cergy Pontoise. France;
1980 11 th Biennale. Paris. France;
1984 SOLS. National Center for Contemporary Art (CNAC). Paris;
1985 30 Montrouge exhibition. France;
1985 GILBENKIAN Foundation. Lisbow. Spain;
1988 Tribute IRIS CLAIR. Grand Palais. Paris.


Autobiographical notes

On the work of 1992-1994.
Oil on canvas spread on the floor, while the body can be avoided, you can pass on it. The first strokes are made with coal, slate or other materials, then obliterated with white paint, removed, painted and erased again ... written, drawn, erased again ...
The name of the great white monochrome works "sacred landscapes" also reveals my penchant for white color. In the imprints of the body "M. .., Joseph Bara," David, I see the line as internal flows and the traces. They point out that is real, and are themselves a reality.


Criticism

Since 1992, Teresa Amp draw pictures corresponding to human scale, on large canvases. It attaches to human form ( "Print M. ..", or "The Death of Bara, J., David) a new physical substance in its fight against the content and form, where white is the active substance of its own ideas about what is real.
. First, drawing pencil or charcoal, then traces of white paint, deposited in broad strokes, invade the space of the picture.
. Thin successive layers of paint, the strokes, then back new layers of coal trace the entire "path" Pos-Zhonac in the apprehension of infinite space.
. In recent work, such as the "Sacred Landscapes" (1993), "Print body M ..." (1994), the purity of white paint as a physical and the intellectual sense, is a color tool that makes time visible way that really
.

P.A
.

. Bibliography
.
. JJ Leveque March 1973 - October 1973 - June 1974 "Gallery", "Nouveau Journal" September 1973;
. The magazine "Elle" May 1974;
. "Nouvelles literer" - November 1974 - October 1977;
. Gilbert Laska, text, presents the exhibition in the gallery IRIS CLERT "Labyrinths of Light";
. Genevieve BREERTE - Le Monde - October 1975;
. Alina DALE: Opus International - February
. 1976;
JL Chalumeau "An introduction to the understanding of modern art";
JJ Leveque "Pompey Complex (Izdat. Pierre WEM -1978);
The text presents the exhibition Anne TRONCHET - 1978;
The text presents the exhibition Gilbert LASK - 1980;
Text JM ZHIBBAL to the exhibition "Salt" -1984;
Film Angelica Haas for the Ministry of Foreign Affairs;
videotape.