Kizevalter Georgii

Born in Moscow in 1955
In 1977. Graduated from Moscow State Pedagogical Institute. VI. Lenin.
Member of the Club and the International Federation of the avant-garde artists.

Collections where works

His works are in the Museum of Art in Bern, Switzerland, private collections in Switzerland, the United States, Germany, France, Spain.

Participation in exhibitions and auctions

1986 17 th Youth exhibition. Moscow;
1986 Exhibition. Embassy of Malta. Moscow;
1987 Art Today - II. Club of Young Artists. Budapest;
1987 Exhibition of Young Artists. Central House of Cinema. Moscow;
1988 Labyrinth. Youth Palace. Moscow, Warsaw;
1988 Art Fair. Basle. Switzerland
1988 Art Fair. Chicago. U.S.
1989 Exhibition. Avant-gardists Club. New Jerusalem. Moscow region;
1989 Inexpensive Art. First gallery. Moscow;
Expensive Art 1989. Youth Palace. Moscow;
1989 Labyrinth. Hamburg. Germany;
1990 In the Object. Showroom Kashirka. Moscow;
1990 In the Object. Stedeliyk Museum. Amsterdam;
1990 Shizokitay. Club garde. Pavilion VDNKh. Moscow;
1990 Personal exhibition. Gallery V. Durц?n. Madrid;
1990 Summer studio. Hanover. Germany;
1991 Perspectives of Conceptualism. University of Hawaii. Honolulu, New York
.
. Autobiographical notes
.
. "I began to explore the nature of art" (by Koshatu) in the mid-70's under the strong influence of the newly formed circle of Moscow romantic conceptualism "(B. Groys), which then consisted of people 15-20 artists and poets
. Among them. Kabakov, A. Bulatov, V. Pivovarov, A. The monastery, Rubinstein. "My research" were then in two directions: in the field of painting and drawing and field perfomensa-in group "KD", of which I was during all the years of its existence, 1976-89. Later, in the early 80's, I was interested in the development postkontseptualnyh ideas in photography and literature. Subsequently, I have determined for themselves the art as a form of existence of the individual.
. Balancing in the 70 years (and earlier) between the open dissent and the official lie - glossy stagnation "socialist realism", the underground artist chose for himself "home avangad", and, in particular, as a way of survival
. Considering himself a disciple and follower I. Kabakov, a long time I developed the "author's character, where the real beginning was not invented by now, but nobody mythical artist who has created a series of works.
. Thus the real artist, as a rule, completely removed from the image he has created an image-the myth and no emotion in relation to the work he created does not feel.
. The second point that I have always preached in his works - the multidimensionality of paintings
. It is appropriate to recall two statements: "The art arises at the intersection of languages" (P. Bart), and "Art is postfilosofskaya reality, was to explore the generation of meaning in culture" (J. Kossuth).
Balancing on the faces of the different layers of civilization, at the junction of irony, spirituality and kitsch, combining sometimes incompatible, I'm trying to convey the meaning of opening up to the viewer
. Bibliography
.
. Magazine "Art", N1, 1990;
. The magazine "Flash Art", N150, (reprint N76/77), 1990;
. Journal "Theater", N4, 1990;
. Magazine "Spring", N4, 1990;
. Magazine "Art", N6, 1990;
. Magazine "Spring", N8, 1990;
. Catalog of the exhibition in the gallery F. Durц?n, Madrid, 1990;
. Catalog of the exhibition "Towards the Object", Amsterdam, 1990;
. Magazine "El Pais", October, 1990, Spain;
. The Architecture of the USSR ", N5, 1990.