KORNILOV Ekaterina

Born in 1957 in Moscow.
She studied painting at B. Birger, T. Selvinsky, T. Salakhova.
In 1978 she graduated from the Moscow Art College of memory 1905.
In 1985 she graduated from Moscow State Art Institute. VISurikova.
Participates in exhibitions since 1978.
Awarded the Prize of the Moscow branch of the Union of artists for work in 1988.
Collections where works

Works are in the State Tretyakov Gallery,
State Central Theater Museum of. AA Bakhrushin in Moscow,
. Ekaterinburg Art Gallery, Russia,
. State Museum of AN Ostrovsky in Shchelykovo, Russia,
. Tomsk State Art Museum, Russia,
. Ministry of Culture of Russia,
. meeting of the Union of Artists of Russia,
. Meeting of the University Jaime I, Spain,
. in galleries and private collections in Russia, Britain, France, Spain, Belgium
.

Participation in exhibitions and auctions

1985 Our Contemporary. Central House of Artists. Moscow;
1986 Exhibition of 4 young artists (with E. Fillippovoy, Davydov, IV Chatvyartkova). Moscow;
1988 Soviet Still Life. Prague - Warsaw;
1988 XVII Exhibition of Young Moscow Artists (Diploma). Moscow;
1989 28 Moscow artists. London;
1989 Auction of Russian Art. London;
1989 International Competition for Young Artists (Diploma). Sofia;
1989 Soviet-portrait. Moscow - Madrid;
1990 Our Contemporary. Central House of Artists. Moscow;
1990 ART MIF I. Fair. Central House of Artists. Moscow;
1991 Personal exhibition. Central House of Artists. Moscow;
1991 Personal exhibition. Cities Picardy. France;
1991 International Biennial of Painting. Obidos. Portugal;
1992 Group Exhibition. Manchester. Kingdom;
1992 Three Russian artist. Together with A. Ponomarev, A. Yastrebenetsky. Gallery "October". Kastillon. Italy
1993 Moscow River Neith. Together with D. Tugarinov, A. Charuginym. Municipal Art Gallery, Mr.. Mol. Belgium;
1994 Still Life - BIZ. Central House of Artists. Moscow;
1994 Moscow landscape. Gallery "Manege". Moscow;
1995 Personal exhibition. Gallery "Vinatea". Valencia. Spain.

Criticism

Painting Catherine Kornilova very mobile and at the same time, it is what is best can be described as epic. Her mobility is fed springs eternal - a person's personality, which she wrote, music opened the landscape, light art, has come down to us from the past, like the stars. The contrast of the primary sources of artistic interest to the movements of the brush may seem unsophisticated audience very significant, because on canvas Kornilov nothing indulges ordinary consciousness and ease of reading, art. But no matter how great the artist's focus on professional interests, valuable because it flies off into the cold sphere of speculative or purely historical values, and writes that the pain and joy along with her contemporaries. For all the seeming arbitrariness of the brush stroke and the illusory images of his own paintings Kornilova statement of the beautiful and high. In her canvases in different years and especially in the landscapes have a feeling the enormity of Russia's space, of which she was troubled, as a living person and takes the line of Nicholas Klyueva: "The bitter came to us that there are no native land"

. V. Meyland
.
. Bibliography
.
. Yuri Vladimirov, Ekaterina Karnilova ", a collection of" Soviet Art ", Moscow, 1987;
. Catalog "Moscow Artists in London", Moscow - London, 1989;
. V. Meyland "Three colors of time", Journal of Change ", N12, 1990, p
. 223-225;
Directory of "Who` s who in international art ", 1994/95, Switzerland;
Catalog "Catherine Kornilov, Valencia, 1995.