Starzhenetskaya Irina

She was born in 1943.
In 1962 she graduated from the Moscow Secondary Art School at the Moscow State Art Institute. VISurikova.
In 1968 he graduated from Moscow State Art Institute. VISurikova.
Since 1964, was responsible for the performances.
Since 1966 participates in exhibitions.

Collections where works

Works are in the State Tretyakov Gallery in Moscow,
State Russian Museum in St. Petersburg,
Museum of Musical Culture named. Glinka in Moscow
Meeting P. Ludwig in Aachen, Cologne, Germany,
Slovak National Gallery,
Mr. Art Museum. Tampa, USA,
galleries and private collections in Germany, Britain, France, Spain, Portugal, United States.

Participation in exhibitions and auctions

1977 Group Exhibition: N. Nesterov, I. Starzhenetskaya, I. Mescherekova, L. Gadaev. Moscow;
1977 VII Biennial of Baltic Sea. Rostock. Germany;
1977 Self-Portrait in Russian and Soviet art. The State Tretyakov Gallery. Moscow, State Russian Museum. St. Petersburg
1979 Landscape in the Russian and Soviet art. The State Tretyakov Gallery. Moscow;
1980 Soviet landscape. Paris;
VL 1982 Biennale in Venice. Italy
1982 Aspects of Contemporary Soviet art. Museum Ludwig P.. Cologne, Aachen. Germany;
1986 D. Shostakovich and His Time. Duisburg. Germany;
1986 Aspects of Contemporary Soviet art. Museum Ludwig P.. Aix-la-Chapelle. Germany;
1987 exhibition devoted to 150 anniversary of the death of Alexander Pushkin. Moscow;
1987 Personal exhibition with A. Komelinym. Podolsk. Russia;
1987 Personal view. Edinburgh, London. Kingdom;
1990 Personal exhibition. Manege. St. Petersburg
1990-91 Washington - Moscow. The State Tretyakov Gallery. Moscow; Carnegie Library. Washington;
1991 Exhibition in Moscow painters. Tampa. Florida. U.S.
1991 auction of Chernobyl. Florence. Italy
1992 Personal exhibition with A. Komelinym. Oslo. Norway;
1993-94 Solo exhibition with A. Komelinym. The State Tretyakov Gallery. Moscow;
1994 Personal exhibition with A. Komelinym. Kaliningrad. Russia;
1994 Moscow museum of "Pleiades". Central House of Artists. Moscow.

Autobiographical notes

That means to convey the image of the world in the painting - my money. The whole secret lies in the fact that every time over again, from ignorance, knowledge, self-confidence - the destruction of. All depends on the ability to push through all his being this way: light - during the time that the hand did not tremble at the same. How to express in painting the human feelings, pain, suffering, love, radostN This may be a branch of a tree, a distant forest, cloud, bird, turn the river, the whole world in conjunction with our consciousness. Color gives life, color - the embodiment of infinity.

Criticism

It involves the scope of moral and aesthetic ideals. She sees all unsolved, the secret, the echoes of wonder. Deep national vision combined in her paintings with the universality of universal perspective, and proximity to the precepts of the ancient masters - with the responsiveness of the love and pain of his contemporaries ...

A. Comenius
Bibliography

M. Yablonskaya Irina Starzhenetskaya ", Journal of Soviet Painting", N8, 1986;
Catalog solo exhibition. Podolsk, 1987;
Catalog solo exhibition. Moscow, 1989;
A. Comenius "Approximation of a miracle", Journal of Creativity ", N4, 1990;
A. Vasnetsov "One of the viewers of images", Journal of Creativity ", N4, 1990;
E. Gorchakov, IN. Gorchakov, "Man, painting, nature," the magazine "Art", N6, 1990;
Catalog solo exhibition. Moscow, 1993; M. Lazarev "iconostasis", Journal of Our Heritage ", N31, 1994.