Glebova Natalia

Born in 1951 in Moscow.
In 1980 she graduated from Moscow State Art Institute. VISurikova (workshop KA. Tutevol)
. Collections where works
.
. Pictures are in the State Tretyakov Gallery in Moscow,
. collection of the Moscow Theater of Drama and Comedy on Taganka
. Novosibirsk and Kemerovo regional art galleries,
. Orenburg Regional Museum of Fine Arts,
. private collections in Russia, Germany, Italy, Finland, France,
.

Participation in exhibitions and auctions

1988 Group Exhibition. Drama and Comedy Theater on Taganka. Moscow;
1989 New Reality. Ravenna. Italy
1990 Figuration critic. Paris, Moscow, Leningrad;
1990 International Triennial of Fine Arts. Delhi;
1990 Group exhibition in conjunction with T. Faydysh, A. Dyukov, I. Evsikova etc.. Sardegna. Italy; 1991 Forum. Paris, Leningrad, Moscow;
1992 Garderop. Exhibition Hall "Manege". St. Petersburg;
1992 Group exhibition in conjunction with E. Keller, Tolstoy, T. Faydysh, A. Grigoriev and G. Salenkovym. Central House of Artists. Moscow;
1994 Group exhibition in conjunction with I. Lubennikovym, E. Surovtseva, V. Epihin. Moscow.

Autobiographical notes

I like to work in different materials: with paints, paper, textiles, wood. Perhaps this is due to the fact that I'm trying to escape from the shackles of the techniques of painting, which she studied for eleven years. I envy their children, drawing their simplicity, clarity in the expression of thought. My dream - priblizitsya to them.
In his pictures, I somehow appeal to the nature. As a city dweller, especially clearly feel all the growing divide between humans and wildlife. The tragedy of this situation will never leave me. It is present in my still lifes, portraits, paintings, dedicated to animals ( "The Big Hunt"), and in the most idyllic landscapes.

Criticism

... Attracts immediacy and elegance of the paintings by Natalia Glebova, which preserved and faithful nature, and accuracy of its reproduction, and the traditional genre. Light, transparent sezannizm Glebova is adjacent to the fine and weighted with irony, deliberately exaggerated "naive" artistry. The portraits of the complex, almost more tonal, the stain does not coincide with the contours of the figures, as if hinting at fault forms, which becomes antitselostnoy. Landscapes and landscape backgrounds of portraits may have up to 8 lines of the horizon, but not a single vanishing point, or be generally "futile". With consummate elegance written articles in still lifes Glebova. Objects floating in space, without the weight and, probably, so do not fall off the table.
In general, painting Glebova tends to harmonic constructions, but the author seems to be well aware that any desire for harmony in our time utopian.

Likhacheva
Bibliography

V. Meyland "Art for All", the magazine "Soviet Painting", N8, 1986, str.185;
Exhibition Catalog: Paintings. Sculpture. Graphics. Monumental Art (MOSH RSFSR): M. Andronov, V. Babin, H. Glebova, C. Golitsyn and. Lubennikov et al: Sov. artist, 1990.