Beata Tyszkiewicz

Beata Tyszkiewicz, Polish actress. She made her debut in cinema in 1957 ( "Revenge"). Becoming her acting career in film has a 60-s ( "Common Room" in. E. Hasa, 1960; "Tonight the city will die," I. Rybkovskogo, 1961; "The first day of freedom" A. Ford, 1964). Was the wife of the largest Polish director Andrzej Wajda, Tyszkiewicz starring in three films ( "Samson", 1961; "Ashes" on C. Zeromski, 1965, "Everything for Sale", 1969) as in the roles of historical heroines and complex modern women. It Weide managed to reveal in their ribbons all facets of her versatile talent.

. External data actresses are in it the charm of the old Polish nobility allowed her to continue to successfully play a historic role in the films of other directors of different genres - comedies ( "Marysia and Napoleon" L
. Buckovski, 1967), screen adaptations of national classics, carried Hasom - in the romantic ( "The Manuscript Found in Saragossa, for I. Potocki, 1965), realistic ( "Doll", by B. Prus, 1968) and biographical films ( "Big Love Balzac" In. Solarz Usefulness, the role of Evelina Hanska, 1973).

Shot abroad (in the tape "The man with a shaved head," A. Delvaux, 1965, "the way M. Meszaros, 1979), including in the USSR ( "Noble Nest" A. Mikhalkov-Konchalovsky, 1969, "European history" and. Gosteva, 1984).

. Actress highest culture, is extremely susceptible to a variety of creative handwriting of different artists, Tyszkiewicz able to leave a trace in the film "Polish school" 60's and brilliantly played the role of the classical repertoire.

. Images of modern women in the 70-80-s checkered history it is less
. Small amount Movie parts is more than compensated their considerable and known. One of the world's most popular actresses of Polish cinema.