Tyszkiewicz Beata (Beata Tushkevich)

Beata Tyszkiewicz, Polish actress. She made her debut in cinema in 1957 ( 'Revenge'). Becoming her acting career in film has a 60-s ( 'Common Room' In. E. Hasa, 1960; 'Last night, the city will die,' I. Rybkovskogo, 1961; 'first day of freedom' A. Ford, 1964). Was the wife of the largest Polish director Andrzej Wajda, Tyszkiewicz starring in three films ( 'Samson', 1961; 'Ashes' to C. Zeromski, 1965; 'All for Sale', 1969) as in the roles of historical heroines and complex modern women. It Weide managed to reveal in their ribbons all facets of her versatile talent.

. External data actresses are in it the charm of the old Polish nobility allowed her to continue to successfully play a historic role in the films of other directors of different genres - comedies ( 'Marysia and Napoleon' A
. Buckovski, 1967), screen adaptations of national classics carried Hasom - in the romantic ( "The Manuscript Found in Saragossa ', for I. Potocki, 1965), realistic ( 'Doll', for B. Prus, 1968) and biographical films ( 'Big Love Balzac' E. Solarz Usefulness, the role of Evelina Hanska, 1973). Shot abroad (in the tapes 'man with a shaved head,' A. Delvaux, 1965; 'the way' M. Meszaros, 1979), including in the USSR ( 'The Noble Nest' A. Mikhalkov-Konchalovsky, 1969; 'European History' And. Gosteva, 1984).

Actress highest culture, is extremely susceptible to a variety of creative handwriting of different artists, Tyszkiewicz able to leave a trace in the film 'Polish school' 60's and brilliantly played the role of the classical repertoire. Images of modern women in the 70-80-s checkered history it is less. Small amount Movie parts is more than compensated their considerable and known. One of the world's most popular actresses of Polish cinema.