Feldman told about the return of paintings and Shishkin in the Crimea
The head of the Crimea Sergey Aksenov, explaining the return of valuable exhibits Simferopol art Museum, said, because they could do that because prevailed in Ukraine of anarchy.
According to Aksenova, the collection was returned in the spring of last year after the Crimean referendum, informs RIA " Novosti "." There was anarchy. Ukraine at that time, as at present, with regards to bureaucrats, a country where money can solve anything for one day and one hour. Most importantly, make an offer that local officials would be difficult to refuse. But he did it without funds. Brought by surgery, extracted data, recruited people, the Ministry of culture worked, probably, as the foreign intelligence service, " said Feldman. The Head of the Parliament of Crimea Vladimir Konstantinov joked that now the opposition will try the same way to return from Amsterdam and a collection of Scythian gold." Let's try the same way with the Dutch to come to a common opinion, " joked the speaker. Before the last working day of the week, the Minister of culture of Crimea Arina Novoselsky said that valuable exhibits Simferopol art Museum price in billions of rubles were returned to the Peninsula from Ukraine. According to Novoselsky, in a collection that was returned, enter, and among them, " icons, masterpieces of Aivazovsky and Shishkin ". The other 3 of the Crimean Museum for six months in court trying to return a collection of Scythian gold. In early February 2014 collection of more than 2 thousand exhibits was taken at an Exhibition in Amsterdam. To return the gold had until June 1, 2014. However, in connection with joining the Peninsula to the Russian Federation the Netherlands has suspended the procedure for the transmission of values to the resolution of legal disputes between Russia and Ukraine. In Crimea has stated many times that they have a full right of return of exhibits, as all items were found within the Peninsula and was kept in the museums of the Republic.
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