HIGHLAND Evgeny Rafailovich

1950 born in the village. Saltykovskaya Balashikha district, Moscow region
. 1973 graduated from Moscow Polygraphic Institute (Faculty of Arts)
. 1983 member of the USSR Union of Artists
. since 1990 member of the "Polygon"
. Collections where works
.
. The State Tretyakov Gallery, Moscow
. Ministry of Culture of Russia, Moscow
. Far Eastern Art Museum, Khabarovsk
. The firm, "Marconi", Moscow
. S. Franco, Madrid, Spain
. Private collections in Russia, Germany, France, Italy, Sweden, Hong Kong, U.S., Israel
.
. Participation in exhibitions and auctions
.
. SOLO EXHIBITIONS
. 1989 with V. Ayzenberg
. Exhibition Hall, October, 26, Moscow
Together with A. Pankin, G. Vasilkova. Gallery R. Leuchter, Duesseldorf, Germany
1990 together with A. Pankin. Luxembourg Palace, KцІnigstein, Germany
1994 Gallery "A 3", Moscow
Gallery Salyustovich, Bielefeld, Germany
1997 "Tablets". Russia's Culture Fund, Moscow

GROUP EXHIBITIONS

1974-89 Soviet, Russia's and overseas exhibitions of applied graphics
1975-86 Annual exhibition of young Moscow artists
1981 Exhibition of 5 young Moscow artists. Street. ZHOLTOVSKOGO, Moscow
1986 XII Biennale of Applied Graphics. Brno, Czechoslovakia
1987 "The Artist and Modernity". First Creative Association of Moscow Artists. Kashirka, Moscow
1988 2 nd Exhibition of the First Creative Association of Moscow Artists. Artist's House at Kuznetsky Most, Moscow
"Neuvostoluton nuorta taidetta". Turku, Finland
"Graphics of Moscow artists: Urbi et Orbi". Central House of Artists, Moscow
Labyrinth. Youth Palace, Moscow, Hanover, Hamburg, Warsaw
1989 "Collection-89". Helsinki, Finland
1989-90 "Red and White". Warsaw. Poland, Amsterdam, Netherlands
1990 "Scientific and technological progress and Art. Artist's House at Kuznetsky Most, Moscow
"Pittori moscoviti contemporanei". Palazzo Rondanini alla Rotonda, Rome, Italy
"The logic of paradox". Youth Palace, Moscow
"Zeitgenossische Kunstler aus Moskau". Osteuropeisches Kulturzentrum. Cologne, Germany
"Exhibition of 14 Moscow Artists". Artist's House at Kuznetsky Most, Moscow
1991 "Toward Abstraction". Gallery House 100, Moscow
"Junge internationale Kunst". EP-Galerie, Dusseldorf, Germany
"Artistes Russes Contemporains". City Gallery, Melbourne, Australia
"Russian paintings". Le Cadre, Hong Kong
1992 "The point in the vast emptiness". Gallery House 100, Moscow
Malevich center in the Paleontological Museum. Paleontological Museum, Moscow
1994 "Contemporary chart of Russia. Central House of Artists, Moscow
"Moscow Artists. New Gaze. Artist's House at Kuznetsky Most, Moscow
"Paintings and drawings by artists of the USSR. 60 th - 80 th ". The collection firm, "Marconi". Central House of Artists, Moscow
1995 "A-1, A-2, A-3". Gallery A-3 ", Moscow
1996 "Moscow-Jerusalem". Central House of Artists, Moscow
"Galleries in the Gallery. State Tretyakov Gallery, Moscow
1997 "Anthology of elementary art". Profsoyuznaya 100, Moscow
Dialogues ". International Biennial. Manege, St. Petersburg
"Untitled". Russia's Culture Fund, Moscow

.
. Autobiographical notes
.
. For works of recent years, often dissimilar, it is worth a few common triggers me ideas.
. - Hierarchical organization, stratification, cleavage and communications "top" and "bottom".
. - Organization and sign the role of light, the idea of emanation
. Expressive physicality of painting is only a stepping stone to pure abstraction of the world.
. - Representation of human conditioning, . failure and homelessness in the world, . and therefore - the search for elusive point between nothing and everything ", . Combating complacency and self-sufficiency painting surface, . clash of painting with a bare structure, . which further emphasizes its conventionality, . displacement "picture" object, . where the idea of layering and system levels materialize literally,
. Familiar and intelligible words seemed to Arvo Pцєrt on the "voluntary poverty" of his art.

Criticism

The process of painting for Eugene Gore becomes the construction of a new world, a world picture, directed to the frame, do not copy reality, but in some respects opposed to it. Each of its composition demonstrates the path of its creation. It is similar to X-ray photograph of the artist's inner world, where the material is understood as actively as the reality of experience. The ritual of writing for it embodies the miracle of painting, . inspired performing a religious rite - the spiritual essence is inseparable from the real artistic gesture, . its ability to act not only on the visual sensations, . but also on tactile and energetic,
.

In. Patsukov

Bibliography

Catalog "Exhibition of 5 young Soviet artists, Moscow, 1981;
Catalog "XII Biennale of Graphic Design", Brno, 1986;
Catalog "Labirinth. Neue Kunst aus Moskau. "Hamburg, 1989;
Catalog of "Red and White", Warsaw, 1889;
Catalog "Neuvostoluton nuorta taidetta", Turku, Finland, 1988;
Catalog "Collection` 89, Helsinki, 1989;
Catalog "Pittori Moscoviti contemporanei". Palazzo Rondanini alla Rotonda-Roma, 1980;
Catalog Form and the image. Exhibition graphics Moscow Artists ", Sumy Museum of Art, Sumy, Moscow, 1989;
Catalog "Polygon", Moscow, 1990;
Catalog "new reality", Moscow, 1990;
Catalog "Exhibition of 14 Moscow artists. "Painting, drawing, sculpture, Moscow, 1990;
Catalog "Junge Internationale Kunst", Gallery "EP", Dusseldorf, 1991;
Catalog of "Modern graphics Russia. Collection JV Anshlag ", Moscow, 1994;
Catalog "Paintings and drawings by artists of the USSR, Moscow, izd. Four Arts, 1994;
Catalog Polygon. Project 4 "Monuments", Moscow, 1994;
Catalog Eugene Gore. Painting, Graphics, Publishing. Association "Moscow Palette", 1992;
Catalog "Artists Gallery A - 3", Moscow, 1994;
V. Meyland, V. Yumatov "Trying to compare," collection "Soviet Art` 84 ", ed. "Soviet Artist, Moscow, 1984;
A. Noise "shape and image", Journal of Art ", N9, 1989; Akoun. La Cofe des peintres. 1991, le editions de l `amateur;
G. Elshevskaya "The exhibition charts Moscow Artists", the magazine "Art", N11, 1989;
"Collection of` 89 in Helsinki ", Journal of Art", N5, 1990;
G. Elshevskaya "New album charts, ed. "Soviet Artist, Moscow, 1991, p.8;
GM. "Die Russen kommen", "Oberkassel observer", N10, 1989;
Yu Tamoyko "... a new understanding of reality", the newspaper Moskovsky artist ", N5, 1991;
"Who's Who in Contemporary Art Moscow, Moscow, izd. "Album", 1993;
"Moscow Guardian", October 1, 1993, p.29;
F. Schmidt, "Abstrahierte Gedanken", "Nene Vestfalische", Donnerstag, 27 October, 1994;
Expressiver Protest und universelle Beziehungen "," Westfallen-Blatt ", 25.10.1994.