Dmitry ISAEV

Dmitry was born January 23, 1973 in St. Petersburg.
. Education: In 1996 he graduated L.G.I.T.M.i K., workshop VV Petrov
. Height 178 cm
. Weight 70 kg
. Hair color: brown
. Eye color: blue
. Work experience: leading to the radio, dubbing, the dubbing, the leading TV programs, 2 director
. and: violin, piano, coaching (fitness), dance, vocals
. Sports: climbing, rowing, parachuting, swimming, jogging, skating, tennis, karate.
. "All the childhood I had in the Bolshoi Drama Theater, because my parents' life was connected to the BDT
. There were friends in theatrical circles, among them Yuri Tomaszewski, who somehow just happened to meet with me and said: 'Come to me in the theater, you'll play in the orchestra'. And one fine day I took the violin and came to see him play. It was quite advanced for its time, the theater, with a poetic bent, and poetry was a definite - Gumilev, Severyanin, Agnivtsev: what had just opened up a wide circles. At the time, 'Shelter Komedianta' was a one-man show: the artist who came out to read, and we, the five musicians who worked with him. Since that time began a nomadic life in different cities of Russia.
I did not decide independently whether to go to the Institute. The initial period of my life in general proceeded under the influence of other people or circumstances. We can say that I was floating on a wave. I'm not going to become an actor, because the experience of communion with the actors was, and this life is not particularly attracted me. I was going to go to medical school in surgery - to become a physician. But at some point, Olga Volkova, formerly from Petersburg, Moscow is now an actress, I was literally 'picked up by the collar' and said: everything must go to theater school, went. I am not able to withstand the pressure of.
In the first year I started to Filshtinsky, we have such a master, but I cut down on the history. I can not now say that I knew the history. Of course, I did not know her really, but the level of knowledge, which was asked in the theater, I had. Nevertheless, I hacked. I continued to work in the theater, a year later Olga convinced me that again, should act.
Entered by Vladimir Petrov. Learn I liked: we found a common language, our outlook on life, the theater coincided. I can not say that learning was easy, but it was not a particularly difficult. Perhaps only a freshman, was already more like something easier. In any case, perhaps there is a period when you do something, and you are very difficult, suddenly, at some point you realize that you went to another level. You know what you can do it, you can do in ten, twenty times more, you can do it all my life. And you have some other way you work.
At the 4 year at college, I married a classmate, we were born two daughters, twins, Sonia and Pauline. After three years by mutual agreement my wife and I separated, and probably, therefore, still perfectly communicate.
My first film role - a little Mozart in the French film. The role I played the violin. It was a very long time ago, in dityachestve ". Another was a film where I played in the courtyard kid who kept running, all pulling and fall into all sorts of absurd situations.
When you have finished institute, I have not filmed a very long. I was not invited to the movies, and I also did not go there to show. First, because of the fact that not invited. And secondly, I thought that we must first work in the theater and gain at least some experience. I was not a supporter of the film, I liked working in the theater.
And then - the tastes, whether that has changed - I began to withdraw. My acquaintance with the cinema began with a positive. This is a studio in St. Petersburg, where now working with Oleinikov Stoyanov, which makes the transfer of 'Town'. As I got into a positive? Usual story. Before that I was not involved in film and purposefully worked in the theater, somehow it lacked. I never went to the casting and not even sure that Lenfilm is my picture. There were only small projects, some clips, advertising. Advertising, however, there were many - 15 rolls.
Once Tanya Kolganova, my classmate, called and said that we needed an actor for the role of the swimmer (film 'Mrs. Victory'), and I decided to try. This is something with which globally all started after I had ever worked in film, working in parallel in the theater. It was convenient. Previously, I have never had such a schedule, I was not so busy as now, and easily combined. By that time Peter was such a system: the theater with you negotiates a contract for a year, and you work there. I worked in the state, but I did not play to enter. I had only one performance on writing - 'The French tricks'.
(Input - this is an urgent replacement of the actor. When an actor leaves the theater, or for some reason can not play, you enter his place and continue to provide an opportunity to play this show.)